Ten of my favourite Waheeda Rehman songs
Waheeda Rehman! Just spelling out that name conjures a vision of great beauty for me. Beauty yes, but not coquette, not of a siren, very down to earth beauty, which radiates warmth. A smile, which brightens up your day. Grace, which mesmerises you. Eyes so expressive, that they could show a whole kaleidoscope of emotions and of a depth that one could lose oneself in it. An ethereal beauty! You would say how do a down-to-earth and ethereal go together. Well, that is what Waheeda Rehman is all about. Bringing together contradictions like truth always is. And truth is beautiful and divine. No wonder Guru Dutt sings and describes her a chaudhvin ka chaand (the full moon) in the film by the same name.

There was and is more to Waheeda than her beauty. A versatile actress, she proved her acting prowess again and again in different films. She showed their highs and lows, their dark and brighter sides, but what she gave them all was a human quality. A vulnerability, which made them connect to you. It might be the street smart hooker of Pyaasa or the career-oriented Rosie of Guide or the repentant Shanta waiting for her husband in Phagun. You could relate to all of them. You might not agree with them, but you could empathise with them.

Choosing ten songs from her films was not easy. Thus I laid some criteria for choosing them.
a. The film must have her in a main role.
b. It must be a solo song
c. Waheeda must be lip-syncing to the song.
Dustedoff and Sunehriyaadein have already published a post of their favourite Waheeda Rehman songs and Anu of her favourite Waheeda roles. This post began as a comment at Sunehriyaadein’s post. Over the years it has changed indeed! Enjoy!
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Tags: aa aa bhi jaa raat dhalne lagi, Asha Bhosle, badle badle mere sarkar, Balkavi Bairagi, Chaudhvin Ka Chaand [1961], dev anand, Ek Dil Sau Afsane 1963], Guide [1965], guru dutt, Hasrat Jaipuri, Hemant Kumar, Jaidev, Lata Mangeshkar, Majrooh Sultanpuri, meri baat rahi mere man me, Mujhe Jeene Do [1963], My ten favourite Waheeda Rehman songs, Neeraj, o jaadugar pyaar ke ye bataa, Phagun [1973], piyaa tose nainaa laage re, Prem Pujari [1970], raat bhi hai kuchh bheegi bheegi, Raj Kapoor, rangeela re tere rang me, Ravi, Reshma Aur Shera [1972], Roop Ki Rani Choron Ka Raja [1961], S. D. Burman, Sahib Bibi Aur Ghulam [1962], Sahir Ludhianvi, sandhya jo aaye man ud jaaye, Shailendra, Shakeel Badayuni, Shankar-Jaikishan, Sunil Dutt, Teesri Kasam [1967], tu chanda maina chandani, tum to dil ke taar chhed kar, Waheeda Rehman
Arunji has been a loyal follower of this blog and has always been very much encouraging with his comments and suggestions. This is his second post here on this blog in the role of an author. It is an honour for me that he agreed to do this post. His personal reminiscences as usual makes this post more dear to me. Thank you Arunji!
Arunkumar Deshmukh’s ten favourite songs with “interesting” lyrics
Words like ‘Dumbak dumba’ or ‘chidi chapata ‘ or Ding dong etc always attracted me in Hindi songs. In the early 50s I was an avid listener of Radio Ceylon. They used to have a weekly programme of ‘ Anokhe Bol ‘ for 15 minutes. I waited thru the week for this programme. it was my favourite programme. Songs played in this programme had odd words in it and those songs haunted me for the entire week till the next programme, when next set of songs took over.
From my early childhood i was very fond of seeing films and enjoying its music. We were in Hyderabad State. This being a Muslim ruled state; there were many peculiar things in those days. For example, in most Theatres, there used to be a class called “ZANANA “(Ladies Only). This was like a balcony. It was meant for those Burkha-clad Muslim women who wanted to see the films, without being seen by the men folk. A huge cloth curtain was dividing the Zanana Class and the rest of the Theatre. A She-male or a He-female (I don’t know which! ) was appointed with the exclusive duty of removing the huge curtain once the film started and closing it before or as soon as the Interval or the end of the film, so that the women could see the film and still not get exposed to the prying eyes of the men folk in the theatre.
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Tags: Aawaz, Ajit, Aka baaka chidi chadaka, Asha, Asha Bhosale, Ashok Kumar, Aye Ichak Beechak Churr, Aziz Kashmiri, Bawre Nain, Bhagwan Sinha, Bimal Roy, C Ramchandra, chhupa chhupi agad bagad, Cuckoo, Denewala Jab bhi deta, dev anand, Dhitang Dhitang bole, Dholak, Do Bigha Zameen, Eena Meena Dika, Ek Do Teen, Ek Thi Ladki, Funtoosh, geeta bali, Gupchup gupchup pyar Karen, Halla Gulla Layilla, Haryala sawan aaya, Hemant Kumar, Hyderabad State, k. n. singh, Kidar Sharma, Kishore Kumar, Lara Lappa, Lata, Majnu, Manna Dey, Meena Kumari, Meena Shorey, Mehmood, Nimmi, Prem Dhawan, Rafi, Raj Kapoor, Rajendra Krishna, Roshan, S. D. Burman, Sahir Ludhiyanvi, Sailesh Mukherjee, Salil Chaudhary, Sandhya Mukherjee, Satish Batra, Savera, Sazaa, Shailendra, Shamshad Begum, Sheila Ramani, Shyamsunder, Vinod, Vyjayantimala, Zanana Class
Dear Pacifist has agreed once again to honour this blog with a post of hers. Thank you, Pacifist!
10 beautiful village songs
Poos ki sard raat thi…, chilchilati dhoop mein nange paon…, (it was a freezing winter night…, bare feet in the blistering heat…,) are phrases I associate Munshi Premchand with. Though we used the term chilchilati dhoop , poos ki raat was new. Village life in the north, as depicted in his novels, was very harsh as these two terms indicate. My interest in his novels branched into reading some of his short stories too, so when Harvey asked me to write a post I thought of Munshi Premchand and villages.

Now we all know that the village life as depicted in our films is nothing like the real thing, but some of the older films did manage to get some sort of realism, simplicity, though in some cases burdensome (Mother India). Whatever the case they always give me a feeling of being purified. Blame it on the pollution inducing contemporary films. Dilip Kumar, Balraj Sahni, even Raj Kumar made convincing villagers. The heroines all looked good enough. Not only that, but the folksy songs were great. Read the rest of this entry »
Tags: 10 beautiful village songs, A village mela (fair), Amitabh Bachchan, Anjaan, Asha Bhonsle, Balraj Sahni, Dharti kahe pukar ke, Dilip Kumar, Do Bailon Ki Katha, Do Beegha Zameen (1953), Do Boond Pani (1971), Godan (1963), Gunga Jamuna (1961), Har haseen cheez ka, Harvesting, Heera Moti (1959), Heeya jarat rahat din rain, Hemant Kumar, Jaane kahe jiya more dole, Jab se lagan lagayi re, Jaidev, Jawaharlal Nehru, Julmi sang aankh ladi, Kaifi Azmi, Kishore Kumar, Lali lali dolia mein lali, Lata Mangeshkar, Leisure time in the village, Madhumati (1958), Manna Dey, Minoo Purshottam, Mohammad Rafi, Mukesh, Munshi Premchand, Naach re dharti ke pyare pyare, Nain lad jainhe, Naushad, Neeraj, Nirupa Roy, O bedardi aa mil jaldi, Parveen Sultana, Peetal ki meri gaagri, Pt. Ravi Shankar, Raj Kapoor, Rakhee, Ravindra Jain, Reshma aur Shera (1971), Roshan, Salil Choudhary, Saudagar (1971), Shailendra, Shakeel Badayuni, Shankar-Jaikishan, Shreyas Talpade, Shubha Khote, Simi Garewal, Teesri Kasam (1966), The village backbone: Rain, The village belle gori, The village rasiya (hero), the womenfolk, Village celebration – wedding, Village children, Village family, Vyjayanthimala, Waheeda Rehman, Welcome to Sajjanpur
My ten favourite Nutan romantic-duets
Comes 4th of June and it is Nutan’s birth anniversary again and also that of bollwood deewana and Richard’S sister. It is turning fast into a tradition to celebrate Nutan’s birthday on this blog. This is her third birthday here. Last year I listed my favourite solo songs of hers. This year it is the turn of duets.
As usual I have taken only one duet per film. What really surprised me was that in her three most famous films, Seema [1955], Sujata [1959] and Bandini [1963], she doesn’t have any duets with her love interest! They are also missing in her Nagina [1951] and Hum Log [1951].
Well, here are my favourite Nutan duets. Enjoy them!
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Tags: . Dekho Rootha Naa Karo, 4th of June, Aasmanwale Teri Duniya Se Jee, Ae Chaand Zaraa Chhup Jaa, Ae Kaash Chalte Milke, Anil Biswas, Asha Bhosle, Basant [1960], Bharat Bhushan, Chhod Do Aanchal, Chori Chori Ek Ishara, chupke se mile pyaase, dev anand, Dil Hi To Hai [1963], Dilli Ka Thug [1958], Geeta Dutt, Ghulam Mohammad, Hasrat Jaipuri, Heer [1956], Hemant Kumar, Kishore Kumar, Laatsaab (1967), Laila Majnu [1953], Lata Mangeshkar, Majrooh Sultanpuri, Man Ki Been Matwari Baaje, Manna Dey, Manzil [1960], Mohd. Rafi, Mukesh, my ten favourite Nutan romantic-duets, Naushad, Nutan's birth anniversary, Nutan’s birthday, O Saajana Chhuta Hai Jo Daaman Tera, O. P. Nayyar, Paying Guest [1957], Pradeep Kumar, Qamar Jalalabadi, Raj Kapoor, Ravi, Roshan, S. D. Burman, Sahir Ludhianvi, Shabab [1954], Shailendra, Shakeel Badayuni, Shammi Kapoor, Shankar-Jaikishan, Talat Mehmood, Tere Ghar Ke Saamne [1963], Tumhari Mast Nazar Gar Idhar Nahin Hoti, Yeh Raatein Yeh Mausam
First of all I would like to thank everybody for their good wishes to my/our blog on its birthday.
The quiz got a nice response. Shashi and Samir sent me the answers the very next day. They had some sophisticated techniques to get to the answers. Samir in his feedback to the quiz elaborated on it. Samir, would you be so kind to post it also in the comments section below? It is very enlightening!
Lalitha was very industrious and worked till the last hour and sent me her answer four hours back.
Totally eight persons sent me their answers and it was fun going through them. Lomo and Andi were new for me. They told me that they usually read my posts and the comments by the readers and that they enjoy it a lot and at times more the comments than the post itself (so says Andi).
Here are the scores
Archana = 128,5
Pacifist = 126
Shashi = 124
Samir = 106
Lomo = 100
Lalitha = 93
Andi = 93
Anu = 55
Congratulations Archana for scoring the most points and thanks to all participants! The email communication with you regarding the hints and clues was a source of great pleasure for me!
Well, here are the answers! Read the rest of this entry »
Tags: 5 Rifles, Aaj Yeh Meri Zindagi, Aar-Paar, Abhi To Haath Me Jaam Hai, Ambika Johar, Amitabh Bachchan, Anand Bakshi, Anjaan, Asha Bhosle, Aziz Nazan, Bappi Lahiri, Chandan Ka Palna [1967], Chhod Mera Haath Mujhe Peene De, dev anand, Dharamendra, Dil Hi To Hai [1963], former Miss India, Geeta Dutt, happy God, Hasrat Jaipuri, Hoon Abhi Main Jawan Ae Dil, Hum Hain Nashe Mein, Jhoom Bharabar Jhoom Sharabi, Kishore Kumar, Lata Mangeshkar, Laxmikant-Pyarelal, Leela Naidu, Madan Mohan, Mahjabeen, maid of jerky movements, Majrooh Sultanpuri, Manna Dey, Meena Kumari, Mohd. Rafi, Mujhe Le Chalo, Mukesh, Namak Halal, Naza Sholapuri, Nutan, O. P. Nayyar, R. D. Burman, Raj Kapoor, Rajinder Krishan, Rakesh Khanna, Ramlal, Ravi, Roshan, Sahir Ludhianvi, Sandhya, Seeta aur Geeta [1972], Sehra [1963], Shahi Kapoor, Shakila, Sharaabi, sharabi sharabi mera naam ho gaya, Subah-O-Sham [1972], the illustrious one, Thodi Si Jo Pee Li Hai, Tumhari Mast Nazar, Waheeda Rehman, Yeh Raaste Hai Pyar Ke
In the Quest of a Wife

Anu, Richard and Yves‘ influence and ‘prodings’ made me buy a Raj Kapoor DVD collection the last time I was in India. It contains all films directed by Raj Kapoor (except Prem Rog). I was so happy to have got it, that I am still sitting before it like a mouse in front of a snake and don’t know where to start. I had to take a decision and I did it in a way, which any grown-up and mature person would do. I took the easiest route out and chose a film, which was not in the collection and still qualifies as an RK film.
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Tags: Abrar Alvi, Biwi O Biwi, Biwi O Biwi film review, Deven Verma, Dina Pathak, Dulari, gori ho kali ho, In the Quest of a Wife, Mangal, Mars, meri bulbul yu na ho gul, Om Prakash, Poonam Dhillon, R. D. Burman, Rahul Rawail, Raj Kapoor, Randhir Kapoor, Sanjeev Kumar, Shashikala, Simi Garewal, Yogeeta Bali
My 10 favourite Nutan songs
Yesterday, June 4, was Nutan’s 75th birth anniversary. Nutan was a great actress and she was good-looking too. She had a career of 20 years in leading romantic roles and even in her third decade of her career, she got plump roles, which is quite uncommon in the Hindi film industry. In the 80s eventually she started taking up mother roles for leading heroes. And she did what in the 50s it seems was quite common, she worked even after getting married and childbirth.

Fellow-blogger and a big fan of Nutan, Yves, has put up a monument for Nutan. So if anybody wants to know more about her, just visit this. Bollywood deewana, who also shares his birthday with Nutan (Happy Birthday, Bolly Deewana!) has put up scans of an article with interviews of her relatives.

Nutan’s films were mostly with very good music, which makes choosing 10 songs a bit difficult. That is why the list is of solo songs only. Nutan herself had a beautiful singing voice though she never put it into practice for the films.

So here are my 10 favourite solo songs featuring Nutan (in chronological order).
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Tags: 10 favourite Nutan solo songs, Aakhri Dao, Asha Bhosle, Balraj Sahni, Bandini, Bharat Bhushan, Chand Phir Nikla, dev anand, Dil Hi To Hai, Dulhan Ek Raat Ki, Hasrat Jaipuri, Haye Unki Wo Nigaahen, Jogan Ban Jaungi Saiyan Tore Karan, Jogi Jab Se Tu Aaya Mere Dwaare, Kaali Ghata Chhaye Mora Jiya, kaanton ko hum mahkayenge, Kai Din Se Dil Hai, Kaifi Azmi, Lata Mangeshkar, Madan Mohan, Majrooh Sultanpuri, Man Mohana Bade Jhoote, Naushad, Nigahein Milane Ko Jee Chahta, Nutan's 75th birth anniversary, Paying Guest, phool to kya hai, piano songs; Tumse Bichhad Ke Chain Kahan; Maharaja, Raj Kapoor, Raja Mehdi Ali Khan, Roshan, S. D. Burman, Sahir, Sanjay Khan, Seema, Shabab, Shailendra, Shakeel Badayuni, Shammi, Shankar-Jaikishan, Shekhar, Sujata, Tere Ghar ke Samne, Yeh Tanhai Hay Re Hay
Hidden umbrella passions in ten Hindi film songs
Umbrellophily, a phenomenon not spoken sung about in the Hindi film industry. The author of these lines like many other fans of Hindi film songs was not aware of this shocking fact either. During his search for a list of his 10 favourite umbrella songs (since rain-song lists have been beaten to death), he stumbled over this taboo topic in the Hindi cinema. While he was searching, he could unearth only three songs, which mention an umbrella and two-thirds of them were not even melodious. Why this step-motherly treatment towards this ‘protector against rain’?
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Tags: aakhir tuut jaatha hai, Aap ke nazaron ne samjha, Aasha, Aayega, aayega aanewaalaa, Ab mera kaun sahara, Amitabh Bachchan, Anand Bakshi, Anpadh, Asha Bhosle, Asha Parekh, Ashok Kumar, bari, Barsaat, Bhichde sabhi bari, Dharmendra, Dhoop Chhaon, Do lafzon ki hai dil ki kahani, gondola, gondoliere, Gulzar, guru dutt, hai lagaa, Hasrat Jaipuri, Hema Malini, Hindi film songs, hum par jurm kare, Jaya Bhaduri, Joshila, K. C. Dey, K. L. Saigal, Kaagaz ke Phool, Kaantaa lagaa, Kaifi Azmi, Madhubala, Mahal, Majrooh Sultanpuri, Mala Sinha, My Sister. Do naina matware tihare, Nargis, Parichay, Pt. Sudarshan, pyaar ke kabil mujhe, Pyaasa, R. C. Boral, R. D. Burman, Rain songs, Raj Kapoor, Rameshwari, Reena Roy, Rehman, Samadhi, Shakti Samanta, Shankar-Jaikishan, Sheesha ho ya dil ho, Sonaa mile to log aaj kal dil ko kabhi na le, Teri ghathri me laaga chor musaafir jaag zara, The Great Gambler, umbrella, Umbrella passions, Umbrellophily, Vishal Bharadwaj, Zeenat Aman
My ten favourite moon songs

Tomorrow is full moon and we all know what it does … ahem…, to the lovers. No wonder that the moon features in so many songs. It also has different roles in it. The moon is at times the messenger, at times it is an intruder, sometimes it is a catalyst or also be addressed as the beloved him or herself. It can be different things, but one thing is for sure, it doesn’t leave the lovers cold and nor it does me.
The moon songs genre belongs to one of my favourites. There are so many songs with chaand in it, that it is really very difficult to choose ten. So I had to use the following criteria:
1. The songs have to blatantly call out to the moon.
2. Not included are comparisons with moon (so, no chaudhvin ka chaand ho),
3. nor indirect allusions to the moon (no o jaanewale chaand…),
4. nor mere confirmation of its presence (no chaand akela jaye sakhi ri),
5. nor be a lullaby (no chandaa o chandaa kisne churayi).
So here are my favourite 10 ‘chaand’ songs (in chronological order) from Hindi cinema.
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Tags: A R Rahman, Aarti Mukherji, Ameerabai Karnataki, Angulimaal, Anil Biswas, Asha Bhosle, Ashok Kumar, Awaara, Aye chaand zaraa chup jaa, Bharat Bhushan, Bharat Vyas, Bhartruhari, Chanda jaa chanda jaa re jaa, Chanda re chanda kabhi to zameen par aa, Chandaa desh piya ke jaa, Chandaa re jaa re jaa re, Dam bhar jo udhar munh phere, dev anand, Dheere dheere chal chaand gagan me, Dheere dheere dhal re chanda, Dil Ek Mandir, Dilip Dholakia, Hariharan, Hasrat Jaipuri, Jaa jaa re chanda jaa re, Javed Akhtar, Jayshree Gadkar, Kamini Kaushal, Khemchand Prakash, Laatsaab, Lata Mangeshkar, Love Marriage, Madan Mohan, Mala Sinha, Manmauji, Meena Kumari, Mohammad Rafi, Mukesh, Nargis, Nimmi, Nutan, Prem Dhawan, Private Secretary, Pt. Indra Chandra, Raaj Kumar, Raj Kapoor, Rajinder Krishan, Ruk ja raat theher jaa re chandaa, Sadhana, Sadhna Sargam, Sapnay, Shailendra, Shammi Kapoor, Shankar-Jaikishan, Ziddi