My ten favourite songs on not wanting to let go.
As I was humming abhi na jao chhodkar few days back, I realised that, not wanting to let the lover go is an oft-repeated motif in Hindi film songs. Well, from this thought to the thought of making list was a short hop.

Letting go, is a difficult task in life and not only the lover but also many other things in life. So here is to the process of relinquishing and surrender!
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Tags: Abhi Na Jao Chhodkar, Anand Bakshi, Anil Biswas, Asha Bhosle, Asha Parekh, Bade Dilwaala [1983], Bees Saal Baad [1962], Beqaraar Kar Ke Hume Yun Na Jaiye, Biswajeet, Bulo C. Rani, dev anand, Dharmendra, Do Badan [1966], Don't go... !, Geeta Dutt. Nargis, Hemant Kumar, Hum Dono [1962], Jaidev, Jogan [1950], jogi jab se tu aayaa more dwaare, Kahin Na Jaa Aaj Kahin Mat Jaa, Kishore Kumar, Lata Mangeshkar, Laxmikant-Pyarelal, Majrooh Sultanpuri, Manoj Kumar, Mat Jaa Mat Jaa Mat Jaa Jogii, Mat Jaiyo Naukariya Chhodke, mat jaiyon nagariya chhod ke, Meerabai, Mere Hamdam Mere Dost [1968], Mohammad Rafi, Mujhe Jeene Do [1963], Na Jaa Kahin Ab Na Jaa Dil Ke Sivaa, Na Jaa... !, Na Jaiyo Radhe Cheedenge Shyam, Naa Dir Diim ... Naa Jaa Naa Jaa Balam Balam Mere Naa, Naa Jaa O Mere Humdum, Nadii Naare Na Jaao Shaam Paiyaan padu, Nasir Husain, Padmini, Pardesi[ 1957], Prem Dhawan, Pyar Ka Mausam [1969], R. D. Burman, Ravi, Rishi Kapoor, Sadhana, Sahir Ludhianvi, Sardar Jafri, Sau Saal Baad [1966], Shakeel Badayuni, Sharmila Tagore, Shashi Kapoor, Sunil Dutt, Tina Munim, Waheeda Rehman
Fruits! Delicious, luscious fruits! One would say everybody loves fruits. They are nutritious, taste good and are attractive for the eye. Well, they have to be, after all the plant wants it’s children to travel far and wide. Why then this step-motherly treatment to these fabulous creations of nature in Hindi film songs?

Fruits were and are associated with lust. Offering of the apple by Eve to Adam is often cited as an example of this partnership in sin. The Indian censors were very strict about this and only let small and insignificant fruits be sung about in the film songs. As you must have noticed in my post Fruit cake, even if they allowed some fruits to slip through, they saw to it that they had the ugliest melodies possible or it is was done indirectly like ambua ki dali (a mango branch) or beri ke neeche (below the jujube tree). Not the fruits themselves but the tree was in the focal point. Lots of lyricists still wrote lyrics mentioning the fruits of their taste or which suited the scene and occasion. All these attempts were brutally suppressed and the words changed beyond recognition.

During my stay in India in July, in London in August and the last week’s stay in the Black Forest, I could meet witnesses and activists in exile. They told me stories of suppression and oppression of artists and poets of the Bombay film industry by the censors. They told me stories of how works of art where mutilated on the grounds of decency and morality.

I can only write about ten such songs. After reading this article, you, my dear intelligent readers will surely see through many other songs, which we sing every day and have been racking our brains why a certain word doesn’t quite fit in.
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Tags: Ai Aa Aa Karu Me Kya Suku, Akela Hu Me Is Duniya Me, anjeer, Asha Bhosle, Aurat Ne Janam Diya Mardon Ko, Baat Ek Raat Ki [1962], Badi Behen, Bananas, Bharat Vyas, bhooj mera Kya Naam Re, Bhupinder, C.I.D [1956], Chikoos, dates, Dil Aur Mohabbat [1968], Ek Bangla Bane Nyara, fig, Fruits, Gulshan Bawra, Gulzar, Haath Aayaa Hai Jab Se Mera Haath Me, Hemant Kumar, Huzoor Is Kadar Bhi Na Itara Ke Faliye, Indian censors, jackfruit, jamun, Junglee[1961], Kasme Vaade [1978], khajoor, Khathal, Kishore Kumar, Lata Mangeshkar, Mahendra Kapoor, Majrooh Sultanpuri Shamshad Begum, Manilkara zapota, Masoom [1983], Mile Jo Kadi-Kadi Ek Zanjeer Bane, Miss Mary [1957], Mukesh, N Dutta, Nain Huwe Bechain, O. P. Nayyar, papaya, President [1937], R. C. Boral, R. D. Burman, Rajinder Krishan, Sadhana [1958], Sahir Ludhianvi, Saigal, Sakhi Ri Sun Bole, Saranga Teri Yaad Me, Saranga [1960], Sardar Malik, seb, Shailendra, Shankar-Jaikishan, Shevan Rizvi, Suku, Suresh Wadkar, tarbooz, water melon
This post is on the same lines like Dustedoff’s ‘Some thoughts on the songs of Pyaasa‘. Bandini is a classic film, about which much has been written and said. It is always a treat for the eyes and the soul to watch it. As I was returning from Germany last Sunday, I was humming O jaane wale ho sake to laut ke aanaa and the thought crossed my mind to write up on the songs of the film, since they are so much like companions for me.

The music is by S. D. Burman and the lyrics by Shailendra and Gulzar (Mora gora ang lai le) It is interesting, that of the seven songs only two are picturised on the main character of the film. The two male protagonists don’t get any songs. Of the remaining five, four songs are sung by junior artistes and one is a background song.
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Tags: Asha Bhosle, Ashok Kumar, Bandini, Bandini film review, Bikash, Bimal Roy, Deven, Dharmendra, film synopsis, Good Luck Tea House, Gulzar, Kalyani, Lata Mangeshkar, Manna Dey, Mukesh, Nutan, Praveen Paul, Raja Paranjape, S. D. Burman, Shailendra, Songs of Bandini, Tarun Bose