Thank you dear friends, readers, participants and lovers of the quiz and the blog!
Thank you for the overwhelming response! It was also nice to see you, Lomo and Andi, who put their annual appearance at the birthday celebrations. Good to know, that you are there somewhere in the background. Maybe this is also a good opportunity to thank all the dear readers, who read the posts but can’t respond. THANK YOU everybody for all the support, love and affection you shower on me and the blog.

It was great fun for me to put the quiz together, but what was difficult, was to give points. In fact most of the participants gave all the answers right. There were only small technical mistakes, like forgetting to name a singer or the film name explicitly. So the points scored show rather my stringency, or shall we say tight-fistedness in giving points, rather than the participants’ knowledge of the songs.
Nobody got the answer to the 20 points question. What’s more, some also attempted to solve it. In fact, I would have been really surprised if anybody had got it right. Who would keep the statistics of this blog? 🙂
Maybe I should have framed the question properly. My mistake!

Sunehriyaadein had the best go at that question and her answer had me in splits for hours. With her kind permission I’m sharing it here.
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Tags: A big white mausoleum, aaja re aa zaraa aa lehra ke aa zara aa, above the second floor, AK, Anand Bakshi, Andi, Anniversary Quiz Answers, Anu, Aparna, Arunkumar Deshmukh, Asha Bhosle, Asha Parekh, Asha-Rafi, Ava, bachpan ke din bhi kya din the, Badi Behen [1949], Bina Rai, blames it on somebody, broken heart and don’t want to live anymore, chale jaanaa nahin, Chris, come hither a bit = aaja re aa zaraa aa, coy boy toy Roy, Cycle, dance till it dies, Dave, dekhiye sahibon woh koi aur thi, dev anand, Dharmendra, don’t go after meeting the eyes, Elder sister, Elvis and a wish, Flames, Footpath [1953], geeta bali, Geeta Dutt, Gold = Hema Malini, Hemant Kumar, Husnlal Bhagatram, Jaal [1952], jab dil hi toot gaya, jab tak hai jaan jaan-e-jahan, Joy Mukherjee, K. L. Saigal, kaisa jaadoo daalaa re, kaisa jadoo daalaa re, Khayyam, Kishore Kumar, Lalitha, Lata Mangeshkar, Laxmikant-Pyarelal, Lomo, Lotus-like, Love in Tokyo [1966], Madan Mohan, Majrooh Sultanpuri, Manna Dey, Meena Kumari, Miss Fish, Mohd. Rafi, Moon-Art, Mukesh, nain milaake, Nalini Jaywant, Naujawan [1951], Naushad, Pacifist, punished for love, Quiz Answers, R. D. Burman, Raja, Rajinder Krishan, Roshan, S. D. Burman, Sahir Ludhianvi, Saigal, Sardar Jafri, Shahjehan [1946], Shailendra, Shammi Kapoor, Shankar-Jaikishan, Shashikala, Sholay [1975], songsofyore.com, Sujata (1959), Sujata (means of a good caste), Sunehriyaadein, Taj Mahal [1963], Teesri Manzil [1966], thandi hawayein lehrake aaye, The childhood days spent like a butterfly, The cool breezes blowing, The Emperor of the world, the magician’s spell, the net, the night and moonlight will not come again, the pedestrian zone, The sacred book, The stringed instrument, where the sun rises, woh koi aur thi, ye raat ye chandani phir kahan, Youthful, zurm e ulfat pe hamen log sazaa dete hain
My ten favourite Meena Kumari songs

Meena Kumari, a face, which launched thousand tragic films. A thousand might be a bit of exaggeration, but she alone on her star-power helped tragic films to great success. In the 50s and even in the frolicking, colourful 60s, people would flock the cinema halls (to different degrees) to see her suffer. She was also an adept comedienne, in which she also excelled and was quite successful as seen in Magroor [1950], Miss Mary [1957], Azaad [1955] and Kohinoor [1960].

Meena Kumari at a certain time in my childhood played a big role in shaping the image of women in my psyche. Exposed to a slew of films, where she played a neglected wife, a suffering daughter-in-law, a sacrificing daughter, a caring sister-in-law, a protective sister or ‘simply’ a tormented woman between two men, she moulded an image of women being forever doomed to suffer at the hands of men in life. It is true that even other leading ladies like Mala Sinha (Anpadh) or Nutan (Khandan, Chhota Bhai) played such roles but it was as if they were impersonating Meena Kumari in these films. Meena Kumari remained always the original and the one to which others had to match to.
The presence of strong, independent and liberal women in my family and surroundings though would rectify the image in my mind; Meena Kumari would nevertheless always remain special.

On 31st March it was her 41st death anniversary. To commemorate it here are ten of my favourite songs filmed on her. Read the rest of this entry »
Tags: 31st March, 41st death anniversary, aaj ham apni duaon ka asar dekhenge, aaj to meri hansi, ajeeb dastan hai yeh, Akeli Mat Jaiyo [1963], Asha Bhosle, Ashok Kumar, Bahu Begum [1967, Baiju Bawra [1952], C Ramchandra, chalo dildaar chalo, chalte chalte, Chitralekha [1964], Dil Apna Aur Preet Parai [1960], Dil Ek Mandir [1963], duniya kare sawaal to ham kya jawab de, Durga Khote, Edwina Violette, Geeta Dutt, Ghulam Mohammad, Gomti Ke Kinare [1972], ham tere pyar me saara aalam, Hasrat Jaipuri, Hemant Kumar, inhi logon ne, Kaajal [1965], Kamal Amrohi, kitni jawan hai raa tkoi yaad aa gaya - Azaad [1955], Lata Mangeshkar, Madan Mohan, Majrooh Sultanpuri, mausam hai aashiqana, Meena Kumari, mohe bhool gaye sanwariya, My ten favourite Meena Kumari songs, Nadira, Naushad, Pakeezah [1972], piya aiso jiya me samay gayo re, Raaj Kumar, Rajendra Krishna, Rajendra Kumar, Ravi, Roshan, Sahib Bibi Aur Ghulam [1962], Sahir, Sahir Ludhianvi, sansar se bhaage phirte ho, Sawan Kumar Tak, Shailendra, Shakeel Badayuni, Shanker-Jaikishan, thade rahiyon, tora man darpan kehlaye, woh jo milte the kabhi
Arunji, whose anecdotes and memories of the good old times we adore and whose filmi knowledge, we admire, springs in the arena once again to fill up the empty time space here. Thank you Arunji! Without much ado, I pass the mike to him.
Arunkumar Deshmukh’s ten favourite inspired song-pairs
EK DIL DO JAANE- EK TUNE DO GAANE
The other day I was reading a book in my Drawing Room,when I heard my college going grandson telling a small boy,” you don’t know,but in our times,things were not like this…”
I smiled. Every generation thinks that their times were better that the present one.
I wondered whether if I tell today’s children that in my college days,Petrol was costing only 5 Rupees a Gallon (around 3.7 Litres) or that a car driver could be hired on a salary of Rs.150 pm, will they believe it ? We never believed when our elders told us that Gold was bought by them at 10 Rs. a Tola (about 11.4 Gms.),because at the time of my marriage Gold was costing 150 rupees per Tola(about 11.4 gms).Today when Gold has crossed the barrier of rs.30000 for just 10 gms,these stories look like Arabian Night stories,indeed !!
Sometimes I keep thinking if old times were better or the present times are better.I have not been able to come to any conclusion so far.
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Tags: Aa jao tumhe dil ka, Aakhri Dao [1958], Aankhon se jo utari hai dil mein, Anand Bakshi, Anil Biswas, Anjum Pilibhiti, Anmol Ghadi [1946], Arun Deshmukh, Arun Deshmukh’s ten favourite inspired song-pairs, Arzoo [1965], Asha Bhosle, Aye phoolon ki raanee, B R Sharma, Chunariya [1948], De di hamen Azaadi, Dharamputra [1961], Didi [1948], Dil e naashaad ko jeene ki hasrat, Dil jalta hai to jalne de, Dr.Safdar 'Aah', Ek phool do Maali [1969], Guest Post, Hamee se muhabbat hamee se Ladai, Hansraj Behl, Hasrat Jaipuri, Heer [1956], Hemant Kumar, Jaadoo [1951], Jagriti [1954], Jeevan Mrityu [1970], Kavi Pradeep, Kiska deep Jalta hai, Kya mil gaya Bhagwan, Lata Mangeshkar, Laxmikant-Pyarelal, Leader (1964), Madan Mohan, Main jab bhi akeli hoti hoon, Majrooh Sultanpuri, Mamta [1966], Manna Dey, Mitti Me Sona [1960], Mohd. Rafi, Mukesh, Mukund Masurekar, N.Datta, Naadan muhabbat walon ke, Naujawan [1951], Naushad, Naya Daur [1957], Noorjehan. Dil leke daga denge, O. P. Nayyar, Pehli nazar [1945], Phir milogi kabhi, Phir Wohi Dil Laya Hoon [1963], Poocho na hamein, Prem Dhawan, Rahen na rahen hum, Raja Mehdi Ali Khan, Ravi, Roshan, S. D. Burman, S. H. Bihari, Sahir Ludhianvi, Saraswati Kumar Deepak, Shakeel Badayuni, Shanker Das Gupta, Shanker-Jaikishen, Thandi hawayen, Vo chaand muskuraya, Yeh parda hataa do, Yeh Raat Phir Na Aayegi [1966], Zamane mein aji kai aise naadan
My ten favourite kaun aayaa songs

I’m sure it must have happened to you as well. Sometimes you meet a person and the mere presence of this man/woman makes you feel good. You need not talk about overtly intelligent topics. You might not laugh heartily, but just being in the presence of that particular person makes you feel wonderful. It makes you feel as if you have experienced inner growth. Few days back, I again had such an experience, where I was left wondering: What was that? I was so elated, that I posted the song yeh aaj meri zindagi me kaun aa gaya on a forum I frequent, which gave me the idea for this post.
Unlike my last experience, the encounters making the characters of Hindi film exclaim “yeh kaun aayaa” are mostly of romantic nature. Some feel that spring has come, while others feel the moon has risen. Everybody has his or her own of exclaiming and rejoicing in this emotion. I personally think that a good song can convey more than the words themselves. So, enjoy my ten favourite kaun aayaa songs and tell me about yours.
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Tags: Anand Bakshi, Anoop Kumar, Asha Bhosle, Asha Parekh, Baazi [1951], Deepti Naval, Dekh Kabira Roya [1957], dekho yeh kaun aayaa, Dil Deke Dekho [1959], Farooque Sheikh, Geeta Dutt, imi Garewal, Imtihaan [1974], Indu Jain, Jawani Diwani [1972], Jaya Bhaduri, Kalpana Karthik, Katha [1983], kaun aayaa kaun aayaa, kaun aayaa ki nigahon me chamak jaag uthi, kaun aayaa mere man ke dwaare, kaun yeh aayaa mehfil me, Kishore Kumar, Lata Mangeshkar, Laxmikant-Pyarelal, Look who’s here!, Madan Mohan, Majrooh Sultanpuri, Manna Dey, Mohd. Rafi & Usha Khanna, Munshi Aarzoo, my ten favourite kaun aayaa songs, Nartaki [1939], Naseeruddin Shah, Naushad, Pankaj Mullick, Poonam Dhillon, R. D. Burman, Raaj Kumar, Raj Kamal, Rajendra Krishan, Rajendra Kumar, Randhir Kapoor, Ravi, rosha maati, roz shaam aati magar aisi na thi, S. D. Burman, saamne ye kaun aayaa dil me huyi hulchal, Saathi [1968], Sadhana, Sahir Ludhianvi, Savere Wali Gaadi [1986], Shakeel Badayuni, Shammi Kapoor, Sunny Deol, Suresh Wadkar & Asha Bhosle, tambadi maati, Tanuja, Usha Khanna, Vinod Khanna, Waqt [1965], yeh kaun aaj aayaa sawere sawere, yeh kaun aayaa, yeh kaun aayaa ke mere dil ki duniya me bahaar aayi, yeh kaun aayaa roshan ho gayi mehfil kisake naam se
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Seeing no new post from me on my blog, my readers got concerned about it. Pacifist just couldn’t tolerate this utter neglect and came again to my rescue. thank you, dear Pacifist. This is her third post on this blog and with it she is showing her business acumen. Bravo, Pacifist! More power to the small businessmen and -women!
Pacifist’s choice of 10 songs of small business
Thank you Harvey. I’m quite pleased at having this opportunity of posting 10 songs on a subject I have often thought about. People selling stuff, doing business. It was a wonderful time of economic opportunity, letting the small fish survive. Today they have been eaten up by the big fish. I don’t mean to imply that they all sold stuff in the filmi manner, but sell, they did.
So in memory of those small dying/dead businesses, here are 10 such songs.

I do have more than 10 songs with a different product being sung and sold, but I’m such a sucker for melody, tunes which are pleasing to my ears that I left some and took some even though the product got repeated. Boot Polish was one such, Tel Maalish another 🙂
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Tags: aaj ki taaza khabar, Asha Bhonsle, baman ho ya jaat, Bhagwaan, boot chappal sandal- Karigar (1958), C Ramchandra, channa chor garam babu, Chitragupt, dev anand, Dhumal, ek aana boot polish do aana tel maalish, Film Pyaasa (1957), Ghar ki Laaj (1960), Guest Post, Jaan Nissar Akhtar, Jadoo [1951], Johnny Walker, Kabhi Andhera Kabhi Ujala (1958), Karigar (1958), Kishore Kumar, lelo choodiyan main laya nirali, lelo lelo do phool jani lelo, Majrooh Sultanpuri, Maya [1961], Meena Kumari, Mohammad Rafi, Mukesh, Nalini Jaywant, Naushad, Naya Andaaz (1956), O. P. Nayyar, OP Nayyar, Pacifist, Prem Dhawan, Rajendra Krishan, Ravi, Sahir Ludhianvi, Sajid Khan, Salil Choudhary, sar jo tera chakraye, SD Burman, Shakeel Badayuni, Shamshad Begum, Shanti Mathur, Sheikh Mukhtar, Son of India (1962), surma mera nirala, Tel Maalish Boot Polish (1961), This Singing Business, Usha Mangeshkar, zindagi hai kya, Zorabai
My ten favourite Nalini Jaywant solo songs

If I ask my niece who is Nalini Jaywant, she will most probably say that she must be one of my innumerable aunts. In fact, I do have a distant aunt with the name of Nalini. But the actress Nalini Jaywant seems to have faded into oblivion. When one reads discussions on Hindi film actresses of the 50s, her name hardly appears. Maybe the reason is her self-imposed exile, otherwise it is hard to understand, why she should disappear from public memory. In her heydays she was considered the most beautiful actress and as a talented actress by her colleagues.

She started her career in her teenage years, playing sister (the title role) to Sheikh Mukhtar in Mehboob Khan’s Bahen [1941], where she sang all her songs in her own voice.. Her films in the 40s were nothing to write home about, till she made a splash with Anokha Pyar [1948] as the all-sacrificing part of the triangle, showing Dilip Kumar once again between two strong ladies, the other being Nargis. After that there was no looking back for her, acting in hit films like Samadhi, Naubahar, Rahi [1952], Shikast, Munimji, Nastik and Kala Pani. Like many of her contemporaries she couldn’t carry her success streak into the 60s and retired from the silver screen. She appeared only in two films in the 80s Bandish [1980] and Nastik [1983].

More detailed writing on her career can be found at Upperstall and by Shishir Krishna Sharma on his blog. The first and last photo in this post are from his collection. Thank you Shishirji for the loan!
Here are my ten favourite solo songs of this beautiful and talented actress. Enjoy!
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Tags: abhi shaam aayegi niklenge taare, ae ri main to prem deewani, Ajit, Asha Bhosle, Ashok Kumar, beimaan balama man bhi jaa, C Ramchandra, chand madham hai aasman chhup hai, dev anand, dil laga ke kadar gayi pyaare, Dilip Kumar, ghayal hiraniya main ban ban, Hum Sab Chor Hain (1956), jab nain mile nainon se, Jadoo [1951], Kala Paani [1958], kanha bajaye bansuri aur gwale bajaye manjire, kare badra tu na jaa, Lata Mangeshkar, Madan Mohan, Majrooh Sultanpuri, Meerabai, Munimji [1955], My ten favourite Nalini Jaywant solo songs, Nalini Jaywant’s second death anniversary, Nastik [1954], Nau Bahar [1952], Naujawan [1951], Naushad, O. P. Nayyar, Pradeep, Premnath, Railway Platform [1955], Rajinder Krishna, Roshan, S. D. Burman, Samadhi [1950], Shailendra, Shakeel, Shammi Kapoor, Shamshad Begum, Shankar-Jaikishan, Shikast [1953], Shishir Krishna Sharma, Sunil Dutt, Suresh, thandi hawayein lehra ka aaye
My ten favourite Krishna songs

Today is Krishna Janmasthami, Krishna’s birthday. Krishna is the most favourite of all the Hindu deities in Hindi films and is sung about in many ways. Today while discussing with Madhu on Facebook, I started listing some Krishna songs, which came into mind and thus this list happened. It was made in a hurry, so pardon any mistakes made.
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Tags: A. K. Hangal, aaj sajan mohe ang laga lo, aan milo aan milo, ae sakhi radhike banwari ho gayi, Amar Prem [1972], Amol Palekar, Anand Bakshi, Apne Paraye [1980], Baby Naaz, Bappi Lahiri, Baseraa [1981], Biswajeet, Chitragupt, Devdas [1955], Dulari, Geeta Dutt & Manna Dey, Gulzar, guru dutt, Happy Janmasthami, Jaan Nisar Akhtar, Janmasthami, Jurmana [1979], kaanhaa bole naa, Kaise Kahoon [1964], Krishn, Krishna’s birthday, Lata Mangeshkar, maane naa maane naa manamohana, Madam XYZ [1959], Manmohan Krishna, manmohan man me, Mohammed Rafi, mohe panghat pe nandalal chhed gayo re, Mughal-E-Azam [1960], My ten favourite Krishna songs, Nana Palsikar, Nanda, Naushad, Poonam Dhillon, Prem Dhawan, Pyaasa [1957], R. D. Burman, raina biti jaye, Rajesh Khanna, Rakesh Pandey, Rakhee, Rekha, S. D. Burman, Saanware sunawo bansuri, Sahir, Salil Chowdhury, Sangat [1976], Shakeel Badayuni, Sharmila Tagore, shyam na aaye, shyam rang ranga re, Suman Kalyanpur, Waheeda Rehman, Yogesh Yesudas
Dear Pacifist has agreed once again to honour this blog with a post of hers. Thank you, Pacifist!
10 beautiful village songs
Poos ki sard raat thi…, chilchilati dhoop mein nange paon…, (it was a freezing winter night…, bare feet in the blistering heat…,) are phrases I associate Munshi Premchand with. Though we used the term chilchilati dhoop , poos ki raat was new. Village life in the north, as depicted in his novels, was very harsh as these two terms indicate. My interest in his novels branched into reading some of his short stories too, so when Harvey asked me to write a post I thought of Munshi Premchand and villages.

Now we all know that the village life as depicted in our films is nothing like the real thing, but some of the older films did manage to get some sort of realism, simplicity, though in some cases burdensome (Mother India). Whatever the case they always give me a feeling of being purified. Blame it on the pollution inducing contemporary films. Dilip Kumar, Balraj Sahni, even Raj Kumar made convincing villagers. The heroines all looked good enough. Not only that, but the folksy songs were great. Read the rest of this entry »
Tags: 10 beautiful village songs, A village mela (fair), Amitabh Bachchan, Anjaan, Asha Bhonsle, Balraj Sahni, Dharti kahe pukar ke, Dilip Kumar, Do Bailon Ki Katha, Do Beegha Zameen (1953), Do Boond Pani (1971), Godan (1963), Gunga Jamuna (1961), Har haseen cheez ka, Harvesting, Heera Moti (1959), Heeya jarat rahat din rain, Hemant Kumar, Jaane kahe jiya more dole, Jab se lagan lagayi re, Jaidev, Jawaharlal Nehru, Julmi sang aankh ladi, Kaifi Azmi, Kishore Kumar, Lali lali dolia mein lali, Lata Mangeshkar, Leisure time in the village, Madhumati (1958), Manna Dey, Minoo Purshottam, Mohammad Rafi, Mukesh, Munshi Premchand, Naach re dharti ke pyare pyare, Nain lad jainhe, Naushad, Neeraj, Nirupa Roy, O bedardi aa mil jaldi, Parveen Sultana, Peetal ki meri gaagri, Pt. Ravi Shankar, Raj Kapoor, Rakhee, Ravindra Jain, Reshma aur Shera (1971), Roshan, Salil Choudhary, Saudagar (1971), Shailendra, Shakeel Badayuni, Shankar-Jaikishan, Shreyas Talpade, Shubha Khote, Simi Garewal, Teesri Kasam (1966), The village backbone: Rain, The village belle gori, The village rasiya (hero), the womenfolk, Village celebration – wedding, Village children, Village family, Vyjayanthimala, Waheeda Rehman, Welcome to Sajjanpur
My ten favourite songs on clouds and separation

Mid-June, the rains used to arrive in Bombay when I was a kid. The black clouds would hold the promise of change. This would mean relief from the heat and dust of the preceding summer months and a burst of new life. The dreary plain near our house would promise to turn into a pond with lots of small streams arising and emptying in it. These small streams would then become alive with small and big crabs and tadpoles! Coinciding with the arrival of the black clouds, the new school year would also arrive. This would mean new textbooks! The dark messenger would also bring the hope, that I would share the class room with my friends from last year, but at the same time also the anxiety if I would again have to spend this new school year with class bully.

These dark water-bearers of sky, who brought so many emotions in my being were and are also the bearers of hope over the centuries in India for separated lovers. The earliest mention is found in Meghduta (the cloud messenger) by Kalidasa (most probably 4th century CE). It tells the story, how a yakṣha (a supernatural being), after being exiled, asks a passing cloud to take a message to his wife. In Hindi cinema though, we find mostly women singing to the clouds. They call upon them to be their messengers, to take a message to their far-off beloveds, asking them to return back.
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Tags: Ameeta, Anil Biswas, Asha Bhosle, Azaad [1955], Bahana [1960], Bharat Vyas, C Ramchandra, Chashm-e-Baddoor [1981], Chhote Nawab [1961], clouds, D. N. Madhok, Dar Laage Garaje Badariyaa, Deepti Naval, Dharti Kahe Pukar Ke [1969], Dilip Kumar, Gaban [1966], Ghar Aaja Ghir Aaye Badaraa Sanvariyaa, Gulzar, Haimanti Shukla, Indu Jain, Ja Re Kare Badra, Jaa Re Badara Bairi Jaa Re, Jaa Ri Jaa Ri O Kaari Badariya, Jab Kaari Badariyaa Chhaayegi, Jeetendra, Kahan Se Aaye Badaraa, Kalidasa, Karan Deewan, Lajawab [1950], Lata Mangeshkar, Laxmikant-Pyarelal, Madan Mohan, Majrooh Sultanpuri, Meena Kapoor, Meena Kumari, Meghduta, Mehmood, Mohammed Rafi, monsoon, My ten favourite songs on clouds and separation, Namkeen [1982], Nanda, Naushad, Of Clouds and Separation, Phir Se Aiyo Badaraa Bidesi, Prem Dhawan, R. D. Burman, rain, Rajinder Krishan, Rajkamal, Ram Rajya [1967], Rattan [1944], Sadhana, Sawan Ke Badalon Unse Yeh Jaa Kaho, Shabana Azmi, Shailendra, Shankar-Jaikishan, Sheila Vaz, Sunil Dutt, Swarnlata, the cloud messenger, Tum Bin Sajan Barase Nayan, Vasant Desai, yakṣha, Yesudas, Zohra Bai
My ten favourite Nutan romantic-duets
Comes 4th of June and it is Nutan’s birth anniversary again and also that of bollwood deewana and Richard’S sister. It is turning fast into a tradition to celebrate Nutan’s birthday on this blog. This is her third birthday here. Last year I listed my favourite solo songs of hers. This year it is the turn of duets.
As usual I have taken only one duet per film. What really surprised me was that in her three most famous films, Seema [1955], Sujata [1959] and Bandini [1963], she doesn’t have any duets with her love interest! They are also missing in her Nagina [1951] and Hum Log [1951].
Well, here are my favourite Nutan duets. Enjoy them!
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Tags: . Dekho Rootha Naa Karo, 4th of June, Aasmanwale Teri Duniya Se Jee, Ae Chaand Zaraa Chhup Jaa, Ae Kaash Chalte Milke, Anil Biswas, Asha Bhosle, Basant [1960], Bharat Bhushan, Chhod Do Aanchal, Chori Chori Ek Ishara, chupke se mile pyaase, dev anand, Dil Hi To Hai [1963], Dilli Ka Thug [1958], Geeta Dutt, Ghulam Mohammad, Hasrat Jaipuri, Heer [1956], Hemant Kumar, Kishore Kumar, Laatsaab (1967), Laila Majnu [1953], Lata Mangeshkar, Majrooh Sultanpuri, Man Ki Been Matwari Baaje, Manna Dey, Manzil [1960], Mohd. Rafi, Mukesh, my ten favourite Nutan romantic-duets, Naushad, Nutan's birth anniversary, Nutan’s birthday, O Saajana Chhuta Hai Jo Daaman Tera, O. P. Nayyar, Paying Guest [1957], Pradeep Kumar, Qamar Jalalabadi, Raj Kapoor, Ravi, Roshan, S. D. Burman, Sahir Ludhianvi, Shabab [1954], Shailendra, Shakeel Badayuni, Shammi Kapoor, Shankar-Jaikishan, Talat Mehmood, Tere Ghar Ke Saamne [1963], Tumhari Mast Nazar Gar Idhar Nahin Hoti, Yeh Raatein Yeh Mausam