Arunji has been a loyal follower of this blog and has always been very much encouraging with his comments and suggestions. This is his second post here on this blog in the role of an author. It is an honour for me that he agreed to do this post. His personal reminiscences as usual makes this post more dear to me. Thank you Arunji!
Arunkumar Deshmukh’s ten favourite songs with “interesting” lyrics
Words like ‘Dumbak dumba’ or ‘chidi chapata ‘ or Ding dong etc always attracted me in Hindi songs. In the early 50s I was an avid listener of Radio Ceylon. They used to have a weekly programme of ‘ Anokhe Bol ‘ for 15 minutes. I waited thru the week for this programme. it was my favourite programme. Songs played in this programme had odd words in it and those songs haunted me for the entire week till the next programme, when next set of songs took over.
From my early childhood i was very fond of seeing films and enjoying its music. We were in Hyderabad State. This being a Muslim ruled state; there were many peculiar things in those days. For example, in most Theatres, there used to be a class called “ZANANA “(Ladies Only). This was like a balcony. It was meant for those Burkha-clad Muslim women who wanted to see the films, without being seen by the men folk. A huge cloth curtain was dividing the Zanana Class and the rest of the Theatre. A She-male or a He-female (I don’t know which! ) was appointed with the exclusive duty of removing the huge curtain once the film started and closing it before or as soon as the Interval or the end of the film, so that the women could see the film and still not get exposed to the prying eyes of the men folk in the theatre.
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Tags: Aawaz, Ajit, Aka baaka chidi chadaka, Asha, Asha Bhosale, Ashok Kumar, Aye Ichak Beechak Churr, Aziz Kashmiri, Bawre Nain, Bhagwan Sinha, Bimal Roy, C Ramchandra, chhupa chhupi agad bagad, Cuckoo, Denewala Jab bhi deta, dev anand, Dhitang Dhitang bole, Dholak, Do Bigha Zameen, Eena Meena Dika, Ek Do Teen, Ek Thi Ladki, Funtoosh, geeta bali, Gupchup gupchup pyar Karen, Halla Gulla Layilla, Haryala sawan aaya, Hemant Kumar, Hyderabad State, k. n. singh, Kidar Sharma, Kishore Kumar, Lara Lappa, Lata, Majnu, Manna Dey, Meena Kumari, Meena Shorey, Mehmood, Nimmi, Prem Dhawan, Rafi, Raj Kapoor, Rajendra Krishna, Roshan, S. D. Burman, Sahir Ludhiyanvi, Sailesh Mukherjee, Salil Chaudhary, Sandhya Mukherjee, Satish Batra, Savera, Sazaa, Shailendra, Shamshad Begum, Sheila Ramani, Shyamsunder, Vinod, Vyjayantimala, Zanana Class
Ten of my favourite flower songs
Blame it on dustedoff! Yeah, she asked me to do this post. And since I always do what I am asked to. Here it is.
Flowers and love go together. Flower codes abound as to what flower to send as secret message. In Hindi film songs, the flowers have been mostly used as similies or metaphors for the heroine. Gulabi hooth (rosy lips) being one of the common comparisons.
In my list I have again used some criteria to boil my list down to ten:
1. Songs with flowers used as adjectives have not been taken (so, no ‘gulabi aankhen jo teri dekhi’)
2. One different flower pro song (i.e. if I like two songs, both with rose in it more than the song with jasmine, than I had to choose between the two rose songs)
3. One song pro film (that was very easy)
4. When the name of the flower is the name of a character in the film, it has been rejected (so no ‘ghar jayegi, tar jayegi’
So here are my 10 favourite solo songs featuring ten different flowers.
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Tags: Aaj Raat Ko, Ai Nargis-E-Mastaanaa, Ajit, Amol Palekar, Arzoo, Ashok Kumar, B. S. Kalla, Baant Bahar, Bahut Din Huwe, Basu Chatterji, Bharat Bhushan, Chaman ke Phool Bhi Tujh Ko Gulaab Kehte Hai, Chameli, Champa, Champa Khili Daar, Champakali, Delonix regia, Devta, Dil Ek Mandir, Dooj ka Chand, dustedoff, English Name: Daffodil, Faisla, Farooq Qaiser, Flower Power, flowers, G. S. Kohli, Genda, ghar jayegi, Gulaab, gulabi aankhen jo teri dekhi, Gulmohar, Gulmohar Gar Tumhara Naam Hota, Gulzar, Hasrat Jaipuri, Hum Dil Ka Kanwal, Jasmine, Jasminum auriculatum, Jasminum sambac, Juhi, Kamal, Ketaki, Ketaki Gulaab Juhi Champak Ban Phoole, Kewra, Kishore Kumar, Kyu Chameli Khil Khilati Hai Bataa, Lata Mangeshkar, LotusJuhi Ki Kali Meri Laadli, Madhubala, Magnolia, Majrooh Sultanpuri, Manna Dey, Marigold, Meena Kumari, Michelia champaca, Mohammad Rafi, Narcissus, Nargis, Nelumbo nucifera, Pandanus, Phool Gendawaa Naa Maaro, Polianthes tuberosus, Pt. Bhimsen Joshi, Pt. Indra, R. D. Burman, Raaj Kumar, Ragini, Rajanigandha, Rajanigandha Phool Tumhare, Rajendra Kumar, Rakesh Roshan, Rosa, Rose, Roshan, Royal Poinciana, Sadhana, Sahir, Saira Banu’s Magnolia champaca, Salil Chaudhary, Sanjeev Kumar, Sarika, Screw Pine, Shailendra, Shankar-Jaikishan, Shikari, Suman Kalyanpur, Tagetes, Tuberose, Vidya Sinha, Vinod Mehra, Vyjayanthimala, Yogesh, Zindagi
From my early childhood i was very fond of seeing films and enjoying its music. We were in Hyderabad State. This being a Muslim ruled state; there were many peculiar things in those days. For example, in most Theatres, there used to be a class called “ZANANA “(Ladies Only). This was like a balcony. It was meant for those Burkha-clad Muslim women who wanted to see the films, without being seen by the men folk. A huge cloth curtain was dividing the Zanana Class and the rest of the Theatre. A She-male or a He-female (I don’t know which! ) was appointed with the exclusive duty of removing the huge curtain once the film started and closing it before or as soon as the Interval or the end of the film, so that the women could see the film and still not get exposed to the prying eyes of the men folk in the theatre.
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