Thank you dear friends, readers, participants and lovers of the quiz and the blog!
Thank you for the overwhelming response! It was also nice to see you, Lomo and Andi, who put their annual appearance at the birthday celebrations. Good to know, that you are there somewhere in the background. Maybe this is also a good opportunity to thank all the dear readers, who read the posts but can’t respond. THANK YOU everybody for all the support, love and affection you shower on me and the blog.

It was great fun for me to put the quiz together, but what was difficult, was to give points. In fact most of the participants gave all the answers right. There were only small technical mistakes, like forgetting to name a singer or the film name explicitly. So the points scored show rather my stringency, or shall we say tight-fistedness in giving points, rather than the participants’ knowledge of the songs.
Nobody got the answer to the 20 points question. What’s more, some also attempted to solve it. In fact, I would have been really surprised if anybody had got it right. Who would keep the statistics of this blog? 🙂
Maybe I should have framed the question properly. My mistake!

Sunehriyaadein had the best go at that question and her answer had me in splits for hours. With her kind permission I’m sharing it here.
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Tags: A big white mausoleum, aaja re aa zaraa aa lehra ke aa zara aa, above the second floor, AK, Anand Bakshi, Andi, Anniversary Quiz Answers, Anu, Aparna, Arunkumar Deshmukh, Asha Bhosle, Asha Parekh, Asha-Rafi, Ava, bachpan ke din bhi kya din the, Badi Behen [1949], Bina Rai, blames it on somebody, broken heart and don’t want to live anymore, chale jaanaa nahin, Chris, come hither a bit = aaja re aa zaraa aa, coy boy toy Roy, Cycle, dance till it dies, Dave, dekhiye sahibon woh koi aur thi, dev anand, Dharmendra, don’t go after meeting the eyes, Elder sister, Elvis and a wish, Flames, Footpath [1953], geeta bali, Geeta Dutt, Gold = Hema Malini, Hemant Kumar, Husnlal Bhagatram, Jaal [1952], jab dil hi toot gaya, jab tak hai jaan jaan-e-jahan, Joy Mukherjee, K. L. Saigal, kaisa jaadoo daalaa re, kaisa jadoo daalaa re, Khayyam, Kishore Kumar, Lalitha, Lata Mangeshkar, Laxmikant-Pyarelal, Lomo, Lotus-like, Love in Tokyo [1966], Madan Mohan, Majrooh Sultanpuri, Manna Dey, Meena Kumari, Miss Fish, Mohd. Rafi, Moon-Art, Mukesh, nain milaake, Nalini Jaywant, Naujawan [1951], Naushad, Pacifist, punished for love, Quiz Answers, R. D. Burman, Raja, Rajinder Krishan, Roshan, S. D. Burman, Sahir Ludhianvi, Saigal, Sardar Jafri, Shahjehan [1946], Shailendra, Shammi Kapoor, Shankar-Jaikishan, Shashikala, Sholay [1975], songsofyore.com, Sujata (1959), Sujata (means of a good caste), Sunehriyaadein, Taj Mahal [1963], Teesri Manzil [1966], thandi hawayein lehrake aaye, The childhood days spent like a butterfly, The cool breezes blowing, The Emperor of the world, the magician’s spell, the net, the night and moonlight will not come again, the pedestrian zone, The sacred book, The stringed instrument, where the sun rises, woh koi aur thi, ye raat ye chandani phir kahan, Youthful, zurm e ulfat pe hamen log sazaa dete hain
My ten favourite kaun aayaa songs

I’m sure it must have happened to you as well. Sometimes you meet a person and the mere presence of this man/woman makes you feel good. You need not talk about overtly intelligent topics. You might not laugh heartily, but just being in the presence of that particular person makes you feel wonderful. It makes you feel as if you have experienced inner growth. Few days back, I again had such an experience, where I was left wondering: What was that? I was so elated, that I posted the song yeh aaj meri zindagi me kaun aa gaya on a forum I frequent, which gave me the idea for this post.
Unlike my last experience, the encounters making the characters of Hindi film exclaim “yeh kaun aayaa” are mostly of romantic nature. Some feel that spring has come, while others feel the moon has risen. Everybody has his or her own of exclaiming and rejoicing in this emotion. I personally think that a good song can convey more than the words themselves. So, enjoy my ten favourite kaun aayaa songs and tell me about yours.
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Tags: Anand Bakshi, Anoop Kumar, Asha Bhosle, Asha Parekh, Baazi [1951], Deepti Naval, Dekh Kabira Roya [1957], dekho yeh kaun aayaa, Dil Deke Dekho [1959], Farooque Sheikh, Geeta Dutt, imi Garewal, Imtihaan [1974], Indu Jain, Jawani Diwani [1972], Jaya Bhaduri, Kalpana Karthik, Katha [1983], kaun aayaa kaun aayaa, kaun aayaa ki nigahon me chamak jaag uthi, kaun aayaa mere man ke dwaare, kaun yeh aayaa mehfil me, Kishore Kumar, Lata Mangeshkar, Laxmikant-Pyarelal, Look who’s here!, Madan Mohan, Majrooh Sultanpuri, Manna Dey, Mohd. Rafi & Usha Khanna, Munshi Aarzoo, my ten favourite kaun aayaa songs, Nartaki [1939], Naseeruddin Shah, Naushad, Pankaj Mullick, Poonam Dhillon, R. D. Burman, Raaj Kumar, Raj Kamal, Rajendra Krishan, Rajendra Kumar, Randhir Kapoor, Ravi, rosha maati, roz shaam aati magar aisi na thi, S. D. Burman, saamne ye kaun aayaa dil me huyi hulchal, Saathi [1968], Sadhana, Sahir Ludhianvi, Savere Wali Gaadi [1986], Shakeel Badayuni, Shammi Kapoor, Sunny Deol, Suresh Wadkar & Asha Bhosle, tambadi maati, Tanuja, Usha Khanna, Vinod Khanna, Waqt [1965], yeh kaun aaj aayaa sawere sawere, yeh kaun aayaa, yeh kaun aayaa ke mere dil ki duniya me bahaar aayi, yeh kaun aayaa roshan ho gayi mehfil kisake naam se
My ten favourite bangala (bungalow) songs

A dream of one’s own house/cottage in the suburbs has been and is the motor of many middle class households all over the world. Maybe it is the security it offers or the need for privacy, to have a garden and the cosy life which one associates with it and thus to achieve ultimate goal of every human being to be happy. If one really ‘achieves’ all these things with the acquisition of this cosy house is secondary. I think the dream in itself the best part of it.

Like many of the dreams and aspirations of the common man (whoever or whatever he/she is), even this aspect has not been neglected in the Hindi film songs. Here are my favourites!
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Tags: aag lage bangle me, aaiye aapko main apne bangle ki sair, Aap Ki Khatir [1977], Aji Bas Shukriya [1958], Anand Bakshi, Asha Bhosle, Asha Parekh, bangala, bangla, Bappi Lahiri, Basu Manohari, Bengal, dariya kinare ek bangalo, dev anand, DevAnand, European settlers, Farida Jalal, Farooq Qaiser, G. M. Durrani, ganga ki reti pe bangala chhawaai, geeta bali, Ghulam Mohammed, hai lagaa, House No. 44, hum to tere dil ke bangale me aanaa maangtaa, Iftekhar, ik bangala bane nyaara, Johnny Walker, Joroo Ka Ghulam, K. L. Saigal, Kaala Paani, Kalyanji-Anandji, kanta lagaa, Kidar Sharma, Kishore Kumar, Lata Mangeshkar, Magroor [1950], Majrooh Sultanpuri, Meena Kumari, Mirza Ghalib [1954], Mohammed Rafi, My ten favourite bangala songs, My ten favourite bungalow songs, Nalini Jaywant, Nanda, nazar laage raajaa tore bangale par, o daata o daataa de hamko bhi ek pyaara bangala, Pankaj Mullick, President [1937], pyaara ek bangala ho, R. C. Boral, R. D. Burman, Raja Mehdi Ali Khan, Rajesh Khanna, Rehman, Rekha, Roshan, S. D. Burman, Sabse Bada Rupaiya [1976], Sahir, Samadhi 1972, Shaili Shailendra, Shakeel Budayuni, Shamshad Begum, Sudha Malhotra, Suraiya, Vinod Khanna, Vinod Mehra
You all know Pacifist. She has been a loyal follower of this blog since its conception. While corresponding with her for the quiz, I happened to ask her if she would like to do a guest post for the blog and she kindly agreed. The topic of her debut post must reflect her opinion about me. If that is true, I won’t defend myself, because it is true. Thank you, dear Pacifist for this post. I am sure the readers will enjoy this post as much as we did.
Thank you Harvey for inviting me to write a guest post on your popular blog. I feel quite overwhelmed. Being no writer the safest topic that came to mind was the 10 favourites
Not that I had to think about the subject, one’s always toying with this or that idea. I had a few in mind already. So here are my 10 favourite funny songs.
The most important point (LOL, point reminds me of Kelerk) was not to fall into the trap of – drunken songs, comedian songs, men dressed as women songs, though I have one of each, but will explain why they were chosen in spite of it.

I have selected songs which made me go *hehe* or *snort* or outright *guffaw* at some particular moment in the song. *just smiles*were excluded. Some have funny lyrics or are slapstick , but what is common is they are all madcap songs – some more than the other.
*No just smiles* leads me to the next point or even a ‘Disclaimer’.
Sense of humour varies from person to person so these songs may not raise even a smile on the faces of some listening to them, who might wonder what was wrong with me Read the rest of this entry »
Tags: 10 favourite funny songs, Anand Bakshi, Anoop Kumar, Asha Bhonsle, Asha Parekh, Ashok Kumar, Ashok Saraf, Baazi 1968, Bewaqoof (1960), Caravan (1971), Chalti Ka Naam Zindagi, Chalti Ka Naam Zindagi (1982), Dilip Kumar, funny lyrics, G. M. Durrani, Golmaal (1979), Gulzar, Helen, Hum Sab Chor Hain (1956), I. S. Johar, Irshad, Jeetendra, Johar in Kashmir (1966), Johnny Walker, Kalyanji-Anandji, Kishore Kumar, Leader (1964), Mahendra Kapoor Sushma Shreshta, Majrooh Sultanpuri, Manna Dey, Master Bittu, Meri Biwi Ki Shaadi (1979), Mohd. Rafi, Mukri, Naushad, O. P. Nayyar, Pariwar (1956), Pati Patni aur Woh (1978), R. D. Burman, Ravinder Jain, S. D. Burman, S. H. Bihari, Sagina (1974), Salil Choudhary, Sanjeev Kumar, Sapan Chakraborty, Shailendra, Shakeel Badayuni, Shammi, slapstick, Suresh Wadkar, Ten favourite madcap songs, Usha Khanna, Vidya Sinha, Vyjayanthimala
My ten favourite blind women songs
I got the idea for this post when I read Yves’ review of the Sparsh [1980]. Blind people abound in Hindi cinema mostly as some blind chachas (uncles) in slums or are poor sisters or mothers, for whose eye-operation the hero commits some crime. Then there are the female leads, who are blind, where the story follows one way or the other the plot of Charlie Chaplin’s City Lights. Of course there are stories, where the story follows a different path altogether. All the stories have one thing in common that mostly the curing of the blindness plays a central role in the story. Exceptions as usual confirm the rule.

In my post Mala Sinha song list, while commenting the song from Patanga. I wrote that the species of blind heroines became rare in the 80s. I didn’t know that they had become so abundant in the last decade. My favourites though, as you would guess, are not from the last decade but earlier. Well, here they are! Enjoy!
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Tags: Aaj Raat Ko, Abke Na Sawan Barse, Ae Kaash Mein, Amitabh Bachchan, Anand Bakshi, Anuraag [1972], Aparna Sen, Asha Bhonsle, Asha Parekh, Barsaat Ki Ek Raat [1981], blind flower girl, Blind women, Chirag [1969], Chitchor, Chitragupta, Do Ghoont Mujhe Bhi Pilaade Sharabi, Faisla [1988], geeta bali, Gulzar, Hai Woh Pardesi Man Me, Hema Malini, Hemlata, Imaan Dharam [1977], Jailor [1958], Jeetendra, Jheel Ke Us Paar [1973], kandibona phagun gele, Kinara [1977], Koi To Aiye Re Bada Intezar Hai, Lalita Pawar, Lata Mangeshkar, Laxmikant-Pyarelal, Log Kahe Mera Saanwalaa Sa Rang Hai, Madan Mohan, Majrooh Sultanpuri, Mala Sinha Rajendra Kumar, Moushumi Chaterjee, Mujhi Me Chhupkar Mujhi Se Door, Mumtaz, Nasseruddin Shah, Patang (1960), R. D. Burman, Raakhee, Rajendra Krishan, Rameshwari, Rang Dil Ki Dhadkan Bhi, Ravindra Jai, Saira Banu, Satyajeet, Shashi Kapoor, Sohrab Modi, Sujit Kumar, Sun Ri Pawan, Sunayana [1979], Sunil Dutt, Vijendra Ghatge, Vinod Mehra
My ten favourite Asha-Lata duets
Happy Women’s Day! Today on the occasion of Women’s day, I would like to focus on two ladies, who have influenced Indian cinema in a way, which hardly anybody has done till now. The two ladies in question are Lata Mangeshkar and Asha Bhosle.

(by Gautam Rajadhyaksha, from: http://forbesindia.com/slideshow-big/recliner/gautam-rajadhyaksha-the-pharaoh-of-faces/28732/1)
Lata Mangeshkar and Asha Bhosle dominated the female playback singing in the Hindi film industry from the 50s to the 80s. Their art and artistry still influences the singing of the female singers in India. Each of them has allegedly sung more than 4000 songs, but it is said that they recorded only 75 songs (duets, trios, and quartets) together in Hindi films. Their first duet was recorded for the film Daman [1951] under the baton of K. Dutta and the song was ye ruki ruki hawaiyen.

(from: http://withfriendship.com/user/neeraj/Asha_Bhosle.php)
While Lata has that virginal, untouched, sweet voice, there is this dark, seductive tone of Asha’s. For me Lata’s voice is like a thandi hawa, which refreshes and cools, while Asha’s voice is one which though it might be outwardly calm brings a whirlwind bringing all my feelings and emotions in a chaos. What really strikes me about Asha’s voice is her phenomenal width. She seems to go from one octave to the other like a lift and bridge it with a effortlessness, which takes my breath away. Both of them have a phenomenal technique, which has assured them a long career.
Making a 10 favourite list for Lata or Asha is a futile task. I won’t even attempt it, thus I have taken an easier way out and listed my ten favourite Asha-Lata duets. In the duets their rivalry or let us say healthy competition can be seen in how the lines of the song are divided among them. It is also interesting to note that if the duet was between the leading lady and her friend, then Lata always gave playback to the heroine and Asha got to sing for the sakhi.
I will stop analysing and present my ten favs. Hope you like and enjoy them.
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Tags: Aaye Din Bahar Ke [1966], Ae Kaash Kisi Diwane Ko, Aji Chale Aao, Anand Bakshi, Aruna Irani, Asha Bhosle, Asha Parekh, Bahu Begum [1967, Basant Bahar [1956], Bela Bose, Bharosa [1963], Chanchal, Daman [1951], Dhadhkaa O Dil Dhadhkaa, Halaku [1956], Happy Women’s Day! Lata Mangeshkar, Hasrat Jaipuri, Helen, Hemant Kumar, Jab Jab Tumhe bhulaya, Jabse Laagi Tose Najariya, Jahan Ara [1964], Jamuna, Jis Desh Mein Ganga Behti Hai [1960], K. Dutta, Kar Gaya Re Kar Gaya Mujh Pe Jadoo, Kum Kum, Kya Hua Yeh Mujhe Kya Hua, Laxmikant-Pyarelal, Madan Mohan, Man Kyo Beheka Ri Beheka, Meena Kumari, Minoo Mumtaz, Miss Mary [1957], My ten favourite Asha-Lata duets, Nazima, Nimmi, Pad Gaye Jhoole, Padmini, Rajinder Krishan, Ravi, Roshan, Sahir, Sai, Sakhi Ri Sun Bole, Shailendra, Shankar-Jaikishan, Shikar [1968], Subbulaxmi, Utsav [1984], Vasant Dev, ye ruki ruki si hawaiyen, Zeb Rehman
My ten favourite thandi hawa songs

It is very cold here now. At night it goes down to -20° C. When I ride my bicycle to work and back, the wind freezes me to the core. Yesterday, as I was returning back home the thought about the discrepancy between the European and Indian attitude towards cold and heat arose again in my mind. In Hindi film songs the cold breeze brings in the romantic mood, while in Europe summer sets the mood for romance. While Meena Kumari in Pakeezah wishes her lover that the sun may never touch her beloved (suraj kahin bhi jaaye tum par na dhoop aaye), the gondoliere in sunny Italy calls his lover o sole mio (my sun). Of course the temperature difference plays in this attitude a big role. This brought my thoughts to the various thandi hawa songs in Hindi films and resulted is this list.
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Tags: Anand Bakshi, Asha Bhosle, Asha Parekh, Chacha Chowdhary 1953], dev anand, Do Badan [1966], Ek Tum Duji Main Teeja Chaand, geeta bali, Geeta Dutt, Haathi Mere Saathi [1971], Hasrat Jaipuri, Ilzaam [1954], Jab Chali Thandi Hawa, Jhumroo [1961], Johnny Walker [1957, Kamal Mehra, Kehti Hai Yeh Thandi Hawa, Khurshid Anwar, Kishore Kumar, Lata Mangeshkar, Laxmikant-Pyarelal, Madan Mohan, Madhubala, Majrooh Sultanpuri, Meena Kumari, Mere Piya Chhede Jiya, Mr. and Mrs. 55 [1955], My ten favourite thandi (cold) songs, Nalini Jaywant, Naujawan [1951], Neelam Pari [1952], O. P. Nayyar, Rajendra Krishan, Rajesh Khanna, Rajinder Krishan, Ravi, S. D. Burman, Sahir Ludhianvi, Shashikala, Sheila Vaz, Shyama, Sun Ja Aa Thandi Hawa, Tanuja, Teen Deviyan [1965], Thandi Hawa Kali Ghata, Thandi Hawa Yeh Chandni Suhani, Thandi Hawayein Lehra Ke Aayein, Thandi Thandi Hawa Pooche Unka Pata, Uff Kitni Thandi Hai
My ten favourite songs on not wanting to let go.
As I was humming abhi na jao chhodkar few days back, I realised that, not wanting to let the lover go is an oft-repeated motif in Hindi film songs. Well, from this thought to the thought of making list was a short hop.

Letting go, is a difficult task in life and not only the lover but also many other things in life. So here is to the process of relinquishing and surrender!
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Tags: Abhi Na Jao Chhodkar, Anand Bakshi, Anil Biswas, Asha Bhosle, Asha Parekh, Bade Dilwaala [1983], Bees Saal Baad [1962], Beqaraar Kar Ke Hume Yun Na Jaiye, Biswajeet, Bulo C. Rani, dev anand, Dharmendra, Do Badan [1966], Don't go... !, Geeta Dutt. Nargis, Hemant Kumar, Hum Dono [1962], Jaidev, Jogan [1950], jogi jab se tu aayaa more dwaare, Kahin Na Jaa Aaj Kahin Mat Jaa, Kishore Kumar, Lata Mangeshkar, Laxmikant-Pyarelal, Majrooh Sultanpuri, Manoj Kumar, Mat Jaa Mat Jaa Mat Jaa Jogii, Mat Jaiyo Naukariya Chhodke, mat jaiyon nagariya chhod ke, Meerabai, Mere Hamdam Mere Dost [1968], Mohammad Rafi, Mujhe Jeene Do [1963], Na Jaa Kahin Ab Na Jaa Dil Ke Sivaa, Na Jaa... !, Na Jaiyo Radhe Cheedenge Shyam, Naa Dir Diim ... Naa Jaa Naa Jaa Balam Balam Mere Naa, Naa Jaa O Mere Humdum, Nadii Naare Na Jaao Shaam Paiyaan padu, Nasir Husain, Padmini, Pardesi[ 1957], Prem Dhawan, Pyar Ka Mausam [1969], R. D. Burman, Ravi, Rishi Kapoor, Sadhana, Sahir Ludhianvi, Sardar Jafri, Sau Saal Baad [1966], Shakeel Badayuni, Sharmila Tagore, Shashi Kapoor, Sunil Dutt, Tina Munim, Waheeda Rehman
Hidden umbrella passions in ten Hindi film songs
Umbrellophily, a phenomenon not spoken sung about in the Hindi film industry. The author of these lines like many other fans of Hindi film songs was not aware of this shocking fact either. During his search for a list of his 10 favourite umbrella songs (since rain-song lists have been beaten to death), he stumbled over this taboo topic in the Hindi cinema. While he was searching, he could unearth only three songs, which mention an umbrella and two-thirds of them were not even melodious. Why this step-motherly treatment towards this ‘protector against rain’?
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Tags: aakhir tuut jaatha hai, Aap ke nazaron ne samjha, Aasha, Aayega, aayega aanewaalaa, Ab mera kaun sahara, Amitabh Bachchan, Anand Bakshi, Anpadh, Asha Bhosle, Asha Parekh, Ashok Kumar, bari, Barsaat, Bhichde sabhi bari, Dharmendra, Dhoop Chhaon, Do lafzon ki hai dil ki kahani, gondola, gondoliere, Gulzar, guru dutt, hai lagaa, Hasrat Jaipuri, Hema Malini, Hindi film songs, hum par jurm kare, Jaya Bhaduri, Joshila, K. C. Dey, K. L. Saigal, Kaagaz ke Phool, Kaantaa lagaa, Kaifi Azmi, Madhubala, Mahal, Majrooh Sultanpuri, Mala Sinha, My Sister. Do naina matware tihare, Nargis, Parichay, Pt. Sudarshan, pyaar ke kabil mujhe, Pyaasa, R. C. Boral, R. D. Burman, Rain songs, Raj Kapoor, Rameshwari, Reena Roy, Rehman, Samadhi, Shakti Samanta, Shankar-Jaikishan, Sheesha ho ya dil ho, Sonaa mile to log aaj kal dil ko kabhi na le, Teri ghathri me laaga chor musaafir jaag zara, The Great Gambler, umbrella, Umbrella passions, Umbrellophily, Vishal Bharadwaj, Zeenat Aman
My 10 favourite ‘maanjhi’ songs from Hindi cinema

To say that I love the maanjhi songs would be an understatement. Particularly “O re maanjhi” from Bandini takes me to a different dimension. Maanjhi (also pronounced as maajhi) is a boatman. In songs and poems they are often pleaded to by lovers (mostly women) to take them across the river to meet their beloved. In devotional songs he is the spiritual master who is being begged by the seeker to give him/her that shift in consciousness, which will take him/her from the body consciousness to brahman. These two different levels give the songs a certain spin.
So here are my favourite 10 ‘maanjhi’ (in chronological order) songs from Hindi cinema. Read the rest of this entry »
Tags: Aaya Sawan Jhoom Ke. Maanjhi naiya dhoondhe kinara, Amit Kumar, Amitabh Bachhan, Aruna Irani, Asha Parekh, Ashok Kumar, baaz, Bade acche lagte hai, Ballika Badhu, Bandhe Hath, Bandini, Biraj Bahu, chalo hole hole, dev anand, Dharmendra, Ferry, geeta bali, Gulzar, guru dutt, Hema Malini, Hemant Kumar, Hum Hindustani, Jeetendra, Kamini Kaushal, Kashti, Khushboo, Kishore Kumar, Lata Mangeshkar, Laxmikant-Pyarelal, Maajhi Albele, Maanjhi Chal O Maanjhi Chal, Maanjhi Meri Qismat Ke Jee Chahe, Manjhi re le chal naiyya, mere saajan hai us paar, Mumtaz, Naav Badha Le Maajhi Jor Laga Le, Nirmal Choudhary, Nutan, O Maanjhi O Maanjhi Re, O maanjhi re apna kinara, OP Nayyar, Pancham, Rajendra Krishna, Rajni Sharma, RD Burman, Sachin, SD Burman, Shailendra, Swaroop Dutt, tu Chale To Cham Cham Baje, Upahaar, Usha Khanna