Thank you dear friends, readers, participants and lovers of the quiz and the blog!
Thank you for the overwhelming response! It was also nice to see you, Lomo and Andi, who put their annual appearance at the birthday celebrations. Good to know, that you are there somewhere in the background. Maybe this is also a good opportunity to thank all the dear readers, who read the posts but can’t respond. THANK YOU everybody for all the support, love and affection you shower on me and the blog.

It was great fun for me to put the quiz together, but what was difficult, was to give points. In fact most of the participants gave all the answers right. There were only small technical mistakes, like forgetting to name a singer or the film name explicitly. So the points scored show rather my stringency, or shall we say tight-fistedness in giving points, rather than the participants’ knowledge of the songs.
Nobody got the answer to the 20 points question. What’s more, some also attempted to solve it. In fact, I would have been really surprised if anybody had got it right. Who would keep the statistics of this blog? 🙂
Maybe I should have framed the question properly. My mistake!

Sunehriyaadein had the best go at that question and her answer had me in splits for hours. With her kind permission I’m sharing it here.
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Tags: A big white mausoleum, aaja re aa zaraa aa lehra ke aa zara aa, above the second floor, AK, Anand Bakshi, Andi, Anniversary Quiz Answers, Anu, Aparna, Arunkumar Deshmukh, Asha Bhosle, Asha Parekh, Asha-Rafi, Ava, bachpan ke din bhi kya din the, Badi Behen [1949], Bina Rai, blames it on somebody, broken heart and don’t want to live anymore, chale jaanaa nahin, Chris, come hither a bit = aaja re aa zaraa aa, coy boy toy Roy, Cycle, dance till it dies, Dave, dekhiye sahibon woh koi aur thi, dev anand, Dharmendra, don’t go after meeting the eyes, Elder sister, Elvis and a wish, Flames, Footpath [1953], geeta bali, Geeta Dutt, Gold = Hema Malini, Hemant Kumar, Husnlal Bhagatram, Jaal [1952], jab dil hi toot gaya, jab tak hai jaan jaan-e-jahan, Joy Mukherjee, K. L. Saigal, kaisa jaadoo daalaa re, kaisa jadoo daalaa re, Khayyam, Kishore Kumar, Lalitha, Lata Mangeshkar, Laxmikant-Pyarelal, Lomo, Lotus-like, Love in Tokyo [1966], Madan Mohan, Majrooh Sultanpuri, Manna Dey, Meena Kumari, Miss Fish, Mohd. Rafi, Moon-Art, Mukesh, nain milaake, Nalini Jaywant, Naujawan [1951], Naushad, Pacifist, punished for love, Quiz Answers, R. D. Burman, Raja, Rajinder Krishan, Roshan, S. D. Burman, Sahir Ludhianvi, Saigal, Sardar Jafri, Shahjehan [1946], Shailendra, Shammi Kapoor, Shankar-Jaikishan, Shashikala, Sholay [1975], songsofyore.com, Sujata (1959), Sujata (means of a good caste), Sunehriyaadein, Taj Mahal [1963], Teesri Manzil [1966], thandi hawayein lehrake aaye, The childhood days spent like a butterfly, The cool breezes blowing, The Emperor of the world, the magician’s spell, the net, the night and moonlight will not come again, the pedestrian zone, The sacred book, The stringed instrument, where the sun rises, woh koi aur thi, ye raat ye chandani phir kahan, Youthful, zurm e ulfat pe hamen log sazaa dete hain
Arunji, whose anecdotes and memories of the good old times we adore and whose filmi knowledge, we admire, springs in the arena once again to fill up the empty time space here. Thank you Arunji! Without much ado, I pass the mike to him.
Arunkumar Deshmukh’s ten favourite inspired song-pairs
EK DIL DO JAANE- EK TUNE DO GAANE
The other day I was reading a book in my Drawing Room,when I heard my college going grandson telling a small boy,” you don’t know,but in our times,things were not like this…”
I smiled. Every generation thinks that their times were better that the present one.
I wondered whether if I tell today’s children that in my college days,Petrol was costing only 5 Rupees a Gallon (around 3.7 Litres) or that a car driver could be hired on a salary of Rs.150 pm, will they believe it ? We never believed when our elders told us that Gold was bought by them at 10 Rs. a Tola (about 11.4 Gms.),because at the time of my marriage Gold was costing 150 rupees per Tola(about 11.4 gms).Today when Gold has crossed the barrier of rs.30000 for just 10 gms,these stories look like Arabian Night stories,indeed !!
Sometimes I keep thinking if old times were better or the present times are better.I have not been able to come to any conclusion so far.
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Tags: Aa jao tumhe dil ka, Aakhri Dao [1958], Aankhon se jo utari hai dil mein, Anand Bakshi, Anil Biswas, Anjum Pilibhiti, Anmol Ghadi [1946], Arun Deshmukh, Arun Deshmukh’s ten favourite inspired song-pairs, Arzoo [1965], Asha Bhosle, Aye phoolon ki raanee, B R Sharma, Chunariya [1948], De di hamen Azaadi, Dharamputra [1961], Didi [1948], Dil e naashaad ko jeene ki hasrat, Dil jalta hai to jalne de, Dr.Safdar 'Aah', Ek phool do Maali [1969], Guest Post, Hamee se muhabbat hamee se Ladai, Hansraj Behl, Hasrat Jaipuri, Heer [1956], Hemant Kumar, Jaadoo [1951], Jagriti [1954], Jeevan Mrityu [1970], Kavi Pradeep, Kiska deep Jalta hai, Kya mil gaya Bhagwan, Lata Mangeshkar, Laxmikant-Pyarelal, Leader (1964), Madan Mohan, Main jab bhi akeli hoti hoon, Majrooh Sultanpuri, Mamta [1966], Manna Dey, Mitti Me Sona [1960], Mohd. Rafi, Mukesh, Mukund Masurekar, N.Datta, Naadan muhabbat walon ke, Naujawan [1951], Naushad, Naya Daur [1957], Noorjehan. Dil leke daga denge, O. P. Nayyar, Pehli nazar [1945], Phir milogi kabhi, Phir Wohi Dil Laya Hoon [1963], Poocho na hamein, Prem Dhawan, Rahen na rahen hum, Raja Mehdi Ali Khan, Ravi, Roshan, S. D. Burman, S. H. Bihari, Sahir Ludhianvi, Saraswati Kumar Deepak, Shakeel Badayuni, Shanker Das Gupta, Shanker-Jaikishen, Thandi hawayen, Vo chaand muskuraya, Yeh parda hataa do, Yeh Raat Phir Na Aayegi [1966], Zamane mein aji kai aise naadan
Today, on the occasion of Nanda’s birthday, here is a different kind of post; Nanda and her eight different voices. If you were a leading actress in the 60s and 70s, like Nanda, you could spend your entire career without having had lip-synced to anybody but Lata and Asha’s voice. Since Lata had that tiff with Rafi, it could be possible that Suman Kalyanpur also lent her voice to you in a duet with him. Thus, it is amazing to see that Nanda moved her lips to eight singers in her short career.
Today is also Madhu-Dustedoff’s birthday. So here is to both of your birthdays!! Read the rest of this entry »
Tags: Agra Road [1957], Akashdeep [1965], Asha Bhosle, betaab nigahon se mujhe dekhne walo, Chhalia [1973], Chitragupta, Dustedoff’s birthday, Geeta Dutt, Gumnaam [1965], gunahao ka chirag jal na sakega, Hasrat Jaipuri, jaan-e-chaman shola badan, Kala Bazaar [1960], Khaiyyam, Lata Mangeshkar, Leela Chitnis, Majrooh Sultanpuri, mile to phir jhuke nahin, Mohabbat Isko Kahete Hain [1965], Mohd. Rafi, Mukesh, na main dhan chahoon, Nanda's eight voices, Nanda’s birthday, Nartaki [1963], Navin Nischol, pike ham tum jo chale, Prem Dhawan, R. D. Burman, Rajinder Krishan, Ravi, Roshan, S. D. Burman, Shailendra, Shakeel Badayuni, Shankar-Jaikishan, Sharda, Shashi Kapoor, Sudha Malhotra, Suman Kalyanpur, Sunil Dutt, theriye hosh me aa loo, Usha Mangeshkar, Vani Jairam, zindagi me aap aaye
Arunji has been a loyal follower of this blog and has always been very much encouraging. With this post he makes his debut here on this blog in the role of an author. It is an honour for me that he agreed to do this post. His personal reminiscences makes this post more dear to me. Now, without much ado I give the microphone to him.

It is said, that Indian Films represent the life in India. There is, however, a section of people who believe that the society emulates what is shown in films. So, what is the truth?
When the Talkie came to India and films were made, only one thought was there in the minds of the producers and that was to make films based on Mythological and Historical stories.
This went on for first 5-6 years, but then film makers realised that people will like their films if they could relate their lives with it. So, films based on stories with village background, the caste system, dowry, the moneylender and the farmers were made. These became popular. The urban and the city viewer who was educated were looking for something different. Thus, films were made on love stories set in cities and bigger towns.
Those days middle class was growing in India by leaps and bounds and these were the people, who could spend the money. Now these were the people the films were aimed at.
In the 40s and 50s, the most common transportation vehicle was CYCLE. Almost everybody knew how to ride a cycle. Few people had cars and motorcycles had not yet become popular. Scooters were yet unknown.
I remember, I got my first Cycle when I was in school. My school was 3-4 miles far and I used the cycle to go to school in the morning and to go to friends in the evening. There were many cycles on the road and there was a Traffic rule that every cycle must have a Lamp on the Cycle’s handle as a caution to other vehicles. These lamps were kerosene and Cotton-batti lamps in the night. Sometimes, the lamps got extinguished due to wind. Unaware of this, the police used to catch us. On hearing our plea about the lamp, wind etc, the police would touch the glass of the lamp. if it was still warm, we were let out with a warning only. This was the life in late 40s and early 50s, when I was in Hyderabad State.

It was natural that now cycles too should feature in films. Imaginative Directors used cycles for the heroes when they chased the heroines and for the heroines when they went on a picnic with sahelis. In many films, the village affluents would be shown as cycle owners and the city people using it for moving about.
Up to the 70s, cycles were part of many films. Slowly, cycles were replaced by scooters, Mopeds and motor cycles in films and by 80s, it was only cars and fancy Mobikes for the heroes. Poor cycles were reduced to be shown, only used by the doodhwalla bhaiyyas (milk-men).
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Tags: Aas Ka Panchhi [1961], Agra Road [1957], akela hoon main, Ameeta, Arunkumar Deshmukh, Arunkumar Deshmukh’s 10 favourite cycle songs, Asha Bhsole, Baat Ek Raat Ki [1962], C Ramchandra, dev anand, dil mera ek aas ka panchhi, Ek Hi Raasta [1956], G. M. Durrani, Geeta Dutt, Ghulam Haider, Guest Post, Hasarat Jaipuri, Hemant Kumar, Hum Sab Chor Hain (1956), humko hansate dekh zamana jalata hai, I. S. Johar, inse rippy tippy ho gayi, Johnny Walker, Kalyanji-Anandji, Kavi Pradeep, Khan Mastana, Khazanchi [1941], Kishore Kumar, Lata Mangeshkar, main chali main chali, Majnu, Majrooh Sultanpuri, manaa janaab ne pukara nahin, Meena Kumari, Mehmood, Mohd. Rafi, Mukesh, Nutan, O. P. Nayyar, Omprakash Bhandari, Padosan [1968], Paigham [1959], Paying Guest [1957], Prem Dhavan, pyaase panchhi neel gagan ke, Pyaase Panchhi [1961], Qamar Jalalabadi, R. D. Burman, Rajendra Krishna, Rajendra Kumar, Roshan, S. D. Burman, saanwale salone aaye din bahar ke, Saira Bano, sawan ke nazare hain, Shakila, Shamshad Begum, Shankar-Jaikishen, Subir Sen, Sunil Dutt, suno re bhaiyya hum layen hain, Vijay Anand, Wali Saheb
My ten favourite Nutan romantic-duets
Comes 4th of June and it is Nutan’s birth anniversary again and also that of bollwood deewana and Richard’S sister. It is turning fast into a tradition to celebrate Nutan’s birthday on this blog. This is her third birthday here. Last year I listed my favourite solo songs of hers. This year it is the turn of duets.
As usual I have taken only one duet per film. What really surprised me was that in her three most famous films, Seema [1955], Sujata [1959] and Bandini [1963], she doesn’t have any duets with her love interest! They are also missing in her Nagina [1951] and Hum Log [1951].
Well, here are my favourite Nutan duets. Enjoy them!
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Tags: . Dekho Rootha Naa Karo, 4th of June, Aasmanwale Teri Duniya Se Jee, Ae Chaand Zaraa Chhup Jaa, Ae Kaash Chalte Milke, Anil Biswas, Asha Bhosle, Basant [1960], Bharat Bhushan, Chhod Do Aanchal, Chori Chori Ek Ishara, chupke se mile pyaase, dev anand, Dil Hi To Hai [1963], Dilli Ka Thug [1958], Geeta Dutt, Ghulam Mohammad, Hasrat Jaipuri, Heer [1956], Hemant Kumar, Kishore Kumar, Laatsaab (1967), Laila Majnu [1953], Lata Mangeshkar, Majrooh Sultanpuri, Man Ki Been Matwari Baaje, Manna Dey, Manzil [1960], Mohd. Rafi, Mukesh, my ten favourite Nutan romantic-duets, Naushad, Nutan's birth anniversary, Nutan’s birthday, O Saajana Chhuta Hai Jo Daaman Tera, O. P. Nayyar, Paying Guest [1957], Pradeep Kumar, Qamar Jalalabadi, Raj Kapoor, Ravi, Roshan, S. D. Burman, Sahir Ludhianvi, Shabab [1954], Shailendra, Shakeel Badayuni, Shammi Kapoor, Shankar-Jaikishan, Talat Mehmood, Tere Ghar Ke Saamne [1963], Tumhari Mast Nazar Gar Idhar Nahin Hoti, Yeh Raatein Yeh Mausam
You all know Pacifist. She has been a loyal follower of this blog since its conception. While corresponding with her for the quiz, I happened to ask her if she would like to do a guest post for the blog and she kindly agreed. The topic of her debut post must reflect her opinion about me. If that is true, I won’t defend myself, because it is true. Thank you, dear Pacifist for this post. I am sure the readers will enjoy this post as much as we did.
Thank you Harvey for inviting me to write a guest post on your popular blog. I feel quite overwhelmed. Being no writer the safest topic that came to mind was the 10 favourites
Not that I had to think about the subject, one’s always toying with this or that idea. I had a few in mind already. So here are my 10 favourite funny songs.
The most important point (LOL, point reminds me of Kelerk) was not to fall into the trap of – drunken songs, comedian songs, men dressed as women songs, though I have one of each, but will explain why they were chosen in spite of it.

I have selected songs which made me go *hehe* or *snort* or outright *guffaw* at some particular moment in the song. *just smiles*were excluded. Some have funny lyrics or are slapstick , but what is common is they are all madcap songs – some more than the other.
*No just smiles* leads me to the next point or even a ‘Disclaimer’.
Sense of humour varies from person to person so these songs may not raise even a smile on the faces of some listening to them, who might wonder what was wrong with me Read the rest of this entry »
Tags: 10 favourite funny songs, Anand Bakshi, Anoop Kumar, Asha Bhonsle, Asha Parekh, Ashok Kumar, Ashok Saraf, Baazi 1968, Bewaqoof (1960), Caravan (1971), Chalti Ka Naam Zindagi, Chalti Ka Naam Zindagi (1982), Dilip Kumar, funny lyrics, G. M. Durrani, Golmaal (1979), Gulzar, Helen, Hum Sab Chor Hain (1956), I. S. Johar, Irshad, Jeetendra, Johar in Kashmir (1966), Johnny Walker, Kalyanji-Anandji, Kishore Kumar, Leader (1964), Mahendra Kapoor Sushma Shreshta, Majrooh Sultanpuri, Manna Dey, Master Bittu, Meri Biwi Ki Shaadi (1979), Mohd. Rafi, Mukri, Naushad, O. P. Nayyar, Pariwar (1956), Pati Patni aur Woh (1978), R. D. Burman, Ravinder Jain, S. D. Burman, S. H. Bihari, Sagina (1974), Salil Choudhary, Sanjeev Kumar, Sapan Chakraborty, Shailendra, Shakeel Badayuni, Shammi, slapstick, Suresh Wadkar, Ten favourite madcap songs, Usha Khanna, Vidya Sinha, Vyjayanthimala
First of all I would like to thank everybody for their good wishes to my/our blog on its birthday.
The quiz got a nice response. Shashi and Samir sent me the answers the very next day. They had some sophisticated techniques to get to the answers. Samir in his feedback to the quiz elaborated on it. Samir, would you be so kind to post it also in the comments section below? It is very enlightening!
Lalitha was very industrious and worked till the last hour and sent me her answer four hours back.
Totally eight persons sent me their answers and it was fun going through them. Lomo and Andi were new for me. They told me that they usually read my posts and the comments by the readers and that they enjoy it a lot and at times more the comments than the post itself (so says Andi).
Here are the scores
Archana = 128,5
Pacifist = 126
Shashi = 124
Samir = 106
Lomo = 100
Lalitha = 93
Andi = 93
Anu = 55
Congratulations Archana for scoring the most points and thanks to all participants! The email communication with you regarding the hints and clues was a source of great pleasure for me!
Well, here are the answers! Read the rest of this entry »
Tags: 5 Rifles, Aaj Yeh Meri Zindagi, Aar-Paar, Abhi To Haath Me Jaam Hai, Ambika Johar, Amitabh Bachchan, Anand Bakshi, Anjaan, Asha Bhosle, Aziz Nazan, Bappi Lahiri, Chandan Ka Palna [1967], Chhod Mera Haath Mujhe Peene De, dev anand, Dharamendra, Dil Hi To Hai [1963], former Miss India, Geeta Dutt, happy God, Hasrat Jaipuri, Hoon Abhi Main Jawan Ae Dil, Hum Hain Nashe Mein, Jhoom Bharabar Jhoom Sharabi, Kishore Kumar, Lata Mangeshkar, Laxmikant-Pyarelal, Leela Naidu, Madan Mohan, Mahjabeen, maid of jerky movements, Majrooh Sultanpuri, Manna Dey, Meena Kumari, Mohd. Rafi, Mujhe Le Chalo, Mukesh, Namak Halal, Naza Sholapuri, Nutan, O. P. Nayyar, R. D. Burman, Raj Kapoor, Rajinder Krishan, Rakesh Khanna, Ramlal, Ravi, Roshan, Sahir Ludhianvi, Sandhya, Seeta aur Geeta [1972], Sehra [1963], Shahi Kapoor, Shakila, Sharaabi, sharabi sharabi mera naam ho gaya, Subah-O-Sham [1972], the illustrious one, Thodi Si Jo Pee Li Hai, Tumhari Mast Nazar, Waheeda Rehman, Yeh Raaste Hai Pyar Ke
My ten favourite men-in-drag songs
Men in drag has me always in splits. It is one thing, which guarantees a laughter from my side. I know it doesn’t show much of a depth for my character. Yeah, how to put it much better than: I am like that only!

Men wearing women’s clothes is nothing new. In the early films of the Indian film industry boys would often take up female roles. Men in drag is all the same a more ancient phenomenon. The reasons behind it can be different ranging from transvestism to transgenderism. I can imagine that during times or in societies when and where homosexuality was looked down upon, it was one of the ways for men to approach men. For heterosexual men, I can think, it is a means to make fun of women and in this way digest the rejection by them. At the same time it can also be seen as a rebellion against the society and attempt to break away from the roles imposed by the society based on gender. All the same, it is not these deeper thoughts that go through my mind, why I love these songs.

Here are my favourite 10 songs from Hindi films with men in drag. Since it all is supposed to be fun, no rules this time, except for the quite obvious ones like one song pro actor. 😉
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Tags: Aake Sidhi Lagi Jaise, Anand Bakshi, Asha Bhosle, Babita, Bindu, Biswajeet, Bluff Master [1963], Bombay Se Baroda Tak, Dara Singh, Dharmendra, Five Rifles, Gulshan Bawra, Half Ticket [1962], Haseena Maan Jayegi [1968], homosexuality, I. S. Johar, Johar Mahmood In Hong Kong [1971], Kaatilon ke Kaatil [1981], Kajra Mohabbat Wala, Kalyanji-Anandji, Kalyanji-Anandji. Qamal Jalalabadi, Kamal Barot, Kishore Kumar, Kismat [1969], Laxmikant-Pyarelal, Lootera [1965], Malmal Me Badan Mora Chamke, Mehmood, Mohd. Rafi, My ten favourite men-in-drag songs, Nathaniya Hale To Bada Maza, Neetu Singh, O. P. Nayyar, Oy Chali Chali Kaisi Hawa, Paintal, Parde Ke Peechhey [1971], Patli Kamar Nazuk Umar, Pran, Rafoo Chakkar [1975], Rajinder Krishan, Rishi Kapoor, Saira Banu, Salil Chowdhury, Sar-E-Bazar Karenge Pyar, Shailendra, Shammi Kapoor, Shamshad Begum, Shankar Dada, Shankar-Jaikishan, Shashi Kapoor, Suno Suno, Teen Kuwareeyan... Hathon Me Mehndi, transgenderism, transvestism, Usha Mangeshkar, Vinod Mehra, Yogeeta Bali, Zeenat Aman
My ten favourite Dev jodis

I got the news at fellow blogger Madhu’s site about Dev Anand’s sad demise. I just couldn’t believe it. The tag of ever-green hero suited him so well, that one thought that he was immortal. Just two days back, I wrote at Greta’s blog that Dev’s films from the 50s and 60s hardly let one down.
Dev was a good actor dominating the film industry for three decades. He had his own school of natural acting which endeared him to the masses as well as the critics. He remained for most part true to his genre of a slick urban hero, but he was versatile as far as the different fields of film production was concerned. He was producer, director, actor and once even a singer!

Dev, I think, must have had the most number of female co-stars in the history of the Hindi film industry. He acted with many new faces but also with established actresses. And he looked good with everyone of them. Here is to Dev and his female co-stars
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Tags: aajaa pancchi akela hai, abhi na jaavo chhod kar, accha ji me hari chalo man jawo na, Asha Bhosle, de bhi chuke ham dil nazrana dil ka, dev anand, dil ka bhanwar kare pukar, geeta bali, Geeta Dutt, Hema Malini, Hum Dono [1962], Jaal [1952], Kala Bazar [1960], Kala Pani [1958], Kalpana Karthik, Kishore Kumar, Lata Mangeshkar, layi khushi ki duniya hasti hui jawaani, Madhubala, Mala Sinha, Manna Dey, Maya [1961], Mohd. Rafi, Mukesh, Nau Do Gyarah [1957], neend churake raaton me tumne baaton baaton me, Nutan, R. D. Burman, ruk jaana ruk jaana humse do baatein karte chali jana, S. D. Burman, Sadhana, Salil Choudhury, sanj dhali dil ki lagi thak chali pukar ke, Shareef Badmash [1973], Suraiya, tasveer teri dil me jis din se utari hai, Tere Ghar Ke Samne [1963], Vidya [1948], Waheeda Rehman, Warrant [1975], Zeenat Aman
My Ten Favourite Telephone Songs From Hindi Films
The research for the fruit expose has been needing me to call lots of people on phone. This lead me to the idea of making a telephone song list. Okay, I didn’t come up with it in the last few days, but have been collecting them over the last few months. And the fact that, that I love Jalte hai jiske liye just drove me to make this list. Not all of the songs are sung completely on the telephone. Some just start with it and end up with the characters cavorting around the trees, but telephone songs they are.

So, give me a ring!
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Tags: Aadesh Srivastav, Alka Yagnik, Amitabh Bachchan, Anand Bakshi, Anhonee (1952), Anil Biswas, Anjaan, Asha Bhosle, atulsongaday, Baazi 1968, Baghban (2003), Bombay Ka Chor (1962), C Ramchandra, Chand Zard Zard Hai Mere Dil Mein, Ek Nanhi Munni Ladki Thi (1970), Ganesh, Gope, Hello Hello Ji, Hema Malini, Jaali Note (1960), Jalte Hain Jiske Liye, Jidher Dekhoon Teri Tasveer, Juari (1968), Kahan Gaya Mera Sanam, Kaho Kya Hai Ji, Kalyanji-Anandji, Kishore Kumar, Krishna Bose, Mahaan (1983), Main Yahaan Tu Wahaan, Majrooh Sultanpuri, Mala Sinha, Mere Dil Ki Dhadkan Kyaa Bole, Mohd. Rafi, Mr. Naidu, Mubarak Begum, Mumtaz, Nanda, Nargis, Neend Ud Jaye Teri Chain Se Sone Wale, Nigar Sultana, Nutan. Mere Piya Gaye Rangoon, O. P. Nayyar, Patanga (1949), Pyar Ki Yeh Batein Humko Na Samjao, R. D. Burman, Rajinder Krishan, Ravi, S. D. Burman, Sameer, Samshad Begum & Chitalkar, Shailendra Raj Kapoor, Shakeel Badayuni, Shashi Kapoor, Sujata (1959), Suman Kalyanpur, Sunil Dutt, Talat Mahmood, Talat Mahmood & Lata Mangeshkar, Talat Mohammad, Tanuja, Telephone songs, Waheeda Rehman