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Seeing no new post from me on my blog, my readers got concerned about it. Pacifist just couldn’t tolerate this utter neglect and came again to my rescue. thank you, dear Pacifist. This is her third post on this blog and with it she is showing her business acumen. Bravo, Pacifist! More power to the small businessmen and -women!
Pacifist’s choice of 10 songs of small business
Thank you Harvey. I’m quite pleased at having this opportunity of posting 10 songs on a subject I have often thought about. People selling stuff, doing business. It was a wonderful time of economic opportunity, letting the small fish survive. Today they have been eaten up by the big fish. I don’t mean to imply that they all sold stuff in the filmi manner, but sell, they did.
So in memory of those small dying/dead businesses, here are 10 such songs.

I do have more than 10 songs with a different product being sung and sold, but I’m such a sucker for melody, tunes which are pleasing to my ears that I left some and took some even though the product got repeated. Boot Polish was one such, Tel Maalish another 🙂
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Tags: aaj ki taaza khabar, Asha Bhonsle, baman ho ya jaat, Bhagwaan, boot chappal sandal- Karigar (1958), C Ramchandra, channa chor garam babu, Chitragupt, dev anand, Dhumal, ek aana boot polish do aana tel maalish, Film Pyaasa (1957), Ghar ki Laaj (1960), Guest Post, Jaan Nissar Akhtar, Jadoo [1951], Johnny Walker, Kabhi Andhera Kabhi Ujala (1958), Karigar (1958), Kishore Kumar, lelo choodiyan main laya nirali, lelo lelo do phool jani lelo, Majrooh Sultanpuri, Maya [1961], Meena Kumari, Mohammad Rafi, Mukesh, Nalini Jaywant, Naushad, Naya Andaaz (1956), O. P. Nayyar, OP Nayyar, Pacifist, Prem Dhawan, Rajendra Krishan, Ravi, Sahir Ludhianvi, Sajid Khan, Salil Choudhary, sar jo tera chakraye, SD Burman, Shakeel Badayuni, Shamshad Begum, Shanti Mathur, Sheikh Mukhtar, Son of India (1962), surma mera nirala, Tel Maalish Boot Polish (1961), This Singing Business, Usha Mangeshkar, zindagi hai kya, Zorabai
Dear Pacifist has agreed once again to honour this blog with a post of hers. Thank you, Pacifist!
10 beautiful village songs
Poos ki sard raat thi…, chilchilati dhoop mein nange paon…, (it was a freezing winter night…, bare feet in the blistering heat…,) are phrases I associate Munshi Premchand with. Though we used the term chilchilati dhoop , poos ki raat was new. Village life in the north, as depicted in his novels, was very harsh as these two terms indicate. My interest in his novels branched into reading some of his short stories too, so when Harvey asked me to write a post I thought of Munshi Premchand and villages.

Now we all know that the village life as depicted in our films is nothing like the real thing, but some of the older films did manage to get some sort of realism, simplicity, though in some cases burdensome (Mother India). Whatever the case they always give me a feeling of being purified. Blame it on the pollution inducing contemporary films. Dilip Kumar, Balraj Sahni, even Raj Kumar made convincing villagers. The heroines all looked good enough. Not only that, but the folksy songs were great. Read the rest of this entry »
Tags: 10 beautiful village songs, A village mela (fair), Amitabh Bachchan, Anjaan, Asha Bhonsle, Balraj Sahni, Dharti kahe pukar ke, Dilip Kumar, Do Bailon Ki Katha, Do Beegha Zameen (1953), Do Boond Pani (1971), Godan (1963), Gunga Jamuna (1961), Har haseen cheez ka, Harvesting, Heera Moti (1959), Heeya jarat rahat din rain, Hemant Kumar, Jaane kahe jiya more dole, Jab se lagan lagayi re, Jaidev, Jawaharlal Nehru, Julmi sang aankh ladi, Kaifi Azmi, Kishore Kumar, Lali lali dolia mein lali, Lata Mangeshkar, Leisure time in the village, Madhumati (1958), Manna Dey, Minoo Purshottam, Mohammad Rafi, Mukesh, Munshi Premchand, Naach re dharti ke pyare pyare, Nain lad jainhe, Naushad, Neeraj, Nirupa Roy, O bedardi aa mil jaldi, Parveen Sultana, Peetal ki meri gaagri, Pt. Ravi Shankar, Raj Kapoor, Rakhee, Ravindra Jain, Reshma aur Shera (1971), Roshan, Salil Choudhary, Saudagar (1971), Shailendra, Shakeel Badayuni, Shankar-Jaikishan, Shreyas Talpade, Shubha Khote, Simi Garewal, Teesri Kasam (1966), The village backbone: Rain, The village belle gori, The village rasiya (hero), the womenfolk, Village celebration – wedding, Village children, Village family, Vyjayanthimala, Waheeda Rehman, Welcome to Sajjanpur
You all know Pacifist. She has been a loyal follower of this blog since its conception. While corresponding with her for the quiz, I happened to ask her if she would like to do a guest post for the blog and she kindly agreed. The topic of her debut post must reflect her opinion about me. If that is true, I won’t defend myself, because it is true. Thank you, dear Pacifist for this post. I am sure the readers will enjoy this post as much as we did.
Thank you Harvey for inviting me to write a guest post on your popular blog. I feel quite overwhelmed. Being no writer the safest topic that came to mind was the 10 favourites
Not that I had to think about the subject, one’s always toying with this or that idea. I had a few in mind already. So here are my 10 favourite funny songs.
The most important point (LOL, point reminds me of Kelerk) was not to fall into the trap of – drunken songs, comedian songs, men dressed as women songs, though I have one of each, but will explain why they were chosen in spite of it.

I have selected songs which made me go *hehe* or *snort* or outright *guffaw* at some particular moment in the song. *just smiles*were excluded. Some have funny lyrics or are slapstick , but what is common is they are all madcap songs – some more than the other.
*No just smiles* leads me to the next point or even a ‘Disclaimer’.
Sense of humour varies from person to person so these songs may not raise even a smile on the faces of some listening to them, who might wonder what was wrong with me Read the rest of this entry »
Tags: 10 favourite funny songs, Anand Bakshi, Anoop Kumar, Asha Bhonsle, Asha Parekh, Ashok Kumar, Ashok Saraf, Baazi 1968, Bewaqoof (1960), Caravan (1971), Chalti Ka Naam Zindagi, Chalti Ka Naam Zindagi (1982), Dilip Kumar, funny lyrics, G. M. Durrani, Golmaal (1979), Gulzar, Helen, Hum Sab Chor Hain (1956), I. S. Johar, Irshad, Jeetendra, Johar in Kashmir (1966), Johnny Walker, Kalyanji-Anandji, Kishore Kumar, Leader (1964), Mahendra Kapoor Sushma Shreshta, Majrooh Sultanpuri, Manna Dey, Master Bittu, Meri Biwi Ki Shaadi (1979), Mohd. Rafi, Mukri, Naushad, O. P. Nayyar, Pariwar (1956), Pati Patni aur Woh (1978), R. D. Burman, Ravinder Jain, S. D. Burman, S. H. Bihari, Sagina (1974), Salil Choudhary, Sanjeev Kumar, Sapan Chakraborty, Shailendra, Shakeel Badayuni, Shammi, slapstick, Suresh Wadkar, Ten favourite madcap songs, Usha Khanna, Vidya Sinha, Vyjayanthimala
My ten favourite blind women songs
I got the idea for this post when I read Yves’ review of the Sparsh [1980]. Blind people abound in Hindi cinema mostly as some blind chachas (uncles) in slums or are poor sisters or mothers, for whose eye-operation the hero commits some crime. Then there are the female leads, who are blind, where the story follows one way or the other the plot of Charlie Chaplin’s City Lights. Of course there are stories, where the story follows a different path altogether. All the stories have one thing in common that mostly the curing of the blindness plays a central role in the story. Exceptions as usual confirm the rule.

In my post Mala Sinha song list, while commenting the song from Patanga. I wrote that the species of blind heroines became rare in the 80s. I didn’t know that they had become so abundant in the last decade. My favourites though, as you would guess, are not from the last decade but earlier. Well, here they are! Enjoy!
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Tags: Aaj Raat Ko, Abke Na Sawan Barse, Ae Kaash Mein, Amitabh Bachchan, Anand Bakshi, Anuraag [1972], Aparna Sen, Asha Bhonsle, Asha Parekh, Barsaat Ki Ek Raat [1981], blind flower girl, Blind women, Chirag [1969], Chitchor, Chitragupta, Do Ghoont Mujhe Bhi Pilaade Sharabi, Faisla [1988], geeta bali, Gulzar, Hai Woh Pardesi Man Me, Hema Malini, Hemlata, Imaan Dharam [1977], Jailor [1958], Jeetendra, Jheel Ke Us Paar [1973], kandibona phagun gele, Kinara [1977], Koi To Aiye Re Bada Intezar Hai, Lalita Pawar, Lata Mangeshkar, Laxmikant-Pyarelal, Log Kahe Mera Saanwalaa Sa Rang Hai, Madan Mohan, Majrooh Sultanpuri, Mala Sinha Rajendra Kumar, Moushumi Chaterjee, Mujhi Me Chhupkar Mujhi Se Door, Mumtaz, Nasseruddin Shah, Patang (1960), R. D. Burman, Raakhee, Rajendra Krishan, Rameshwari, Rang Dil Ki Dhadkan Bhi, Ravindra Jai, Saira Banu, Satyajeet, Shashi Kapoor, Sohrab Modi, Sujit Kumar, Sun Ri Pawan, Sunayana [1979], Sunil Dutt, Vijendra Ghatge, Vinod Mehra