Dear Pacifist has agreed once again to honour this blog with a post of hers. Thank you, Pacifist!
10 beautiful village songs
Poos ki sard raat thi…, chilchilati dhoop mein nange paon…, (it was a freezing winter night…, bare feet in the blistering heat…,) are phrases I associate Munshi Premchand with. Though we used the term chilchilati dhoop , poos ki raat was new. Village life in the north, as depicted in his novels, was very harsh as these two terms indicate. My interest in his novels branched into reading some of his short stories too, so when Harvey asked me to write a post I thought of Munshi Premchand and villages.

Now we all know that the village life as depicted in our films is nothing like the real thing, but some of the older films did manage to get some sort of realism, simplicity, though in some cases burdensome (Mother India). Whatever the case they always give me a feeling of being purified. Blame it on the pollution inducing contemporary films. Dilip Kumar, Balraj Sahni, even Raj Kumar made convincing villagers. The heroines all looked good enough. Not only that, but the folksy songs were great. Read the rest of this entry »
Tags: 10 beautiful village songs, A village mela (fair), Amitabh Bachchan, Anjaan, Asha Bhonsle, Balraj Sahni, Dharti kahe pukar ke, Dilip Kumar, Do Bailon Ki Katha, Do Beegha Zameen (1953), Do Boond Pani (1971), Godan (1963), Gunga Jamuna (1961), Har haseen cheez ka, Harvesting, Heera Moti (1959), Heeya jarat rahat din rain, Hemant Kumar, Jaane kahe jiya more dole, Jab se lagan lagayi re, Jaidev, Jawaharlal Nehru, Julmi sang aankh ladi, Kaifi Azmi, Kishore Kumar, Lali lali dolia mein lali, Lata Mangeshkar, Leisure time in the village, Madhumati (1958), Manna Dey, Minoo Purshottam, Mohammad Rafi, Mukesh, Munshi Premchand, Naach re dharti ke pyare pyare, Nain lad jainhe, Naushad, Neeraj, Nirupa Roy, O bedardi aa mil jaldi, Parveen Sultana, Peetal ki meri gaagri, Pt. Ravi Shankar, Raj Kapoor, Rakhee, Ravindra Jain, Reshma aur Shera (1971), Roshan, Salil Choudhary, Saudagar (1971), Shailendra, Shakeel Badayuni, Shankar-Jaikishan, Shreyas Talpade, Shubha Khote, Simi Garewal, Teesri Kasam (1966), The village backbone: Rain, The village belle gori, The village rasiya (hero), the womenfolk, Village celebration – wedding, Village children, Village family, Vyjayanthimala, Waheeda Rehman, Welcome to Sajjanpur
Thoughts on a wall on Mother’s Day

Growing up in Bombay as a small kid in the 1970s meant knowing your Sholay [1975] and Deewar. I had allegedly seen Sholay, but I couldn’t remember a single frame of it. It is quite possible that this was again a trick by my siblings to console me since they often went to films without me. After all who would like a eight years younger brother tagging along. I never had a chance to see Deewar. All the same I think I knew all the dialogues of both the films. One just couldn’t escape them. One thing all the same always rankled me that I hadn’t seen Deewar, this fact was remedied by the post on Parveen Babi, where in the comment section, pacifist provided me with the link to the movie (bless her!).

In this post, I will just write down some thoughts to this landmark film and not write much about the story, I think many of my readers know it. If some don’t, Anu has given an excellent (nearly frame to frame) narration of the plot on her blog. Good insight in the film has also been provided by Philip Lutgendorf and at Upperstall. All three articles make good reading.
Possible Spoilers Ahead
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Tags: Amitabh Bachchan, Deewar film review, Deewar [1975], Deewar [1975] film review, Gulshan Rai, I am in love with a stranger, Iftekhar, Javed Akhtar, keh doo tumhe ya chhup rahoon, koi mar jaaye kisipe kahan yeh dekha hai, Maa, Madan Puri, maine tujhe maanga tujhe paaya hai, Manmohan Krishna, Master Alankar, Master Raju, Mother's day, Neetu Singh, Nirupa Roy, Pancham, Parveen Babi, R. D. Burman, Sahir Ludhianvi, Salim Khan, Shashi Kapoor, Stayendra Kapoo, Sudhir, Wall, Yash Chopra, Yunus Parvez
First of all I would like to thank everybody for their good wishes to my/our blog on its birthday.
The quiz got a nice response. Shashi and Samir sent me the answers the very next day. They had some sophisticated techniques to get to the answers. Samir in his feedback to the quiz elaborated on it. Samir, would you be so kind to post it also in the comments section below? It is very enlightening!
Lalitha was very industrious and worked till the last hour and sent me her answer four hours back.
Totally eight persons sent me their answers and it was fun going through them. Lomo and Andi were new for me. They told me that they usually read my posts and the comments by the readers and that they enjoy it a lot and at times more the comments than the post itself (so says Andi).
Here are the scores
Archana = 128,5
Pacifist = 126
Shashi = 124
Samir = 106
Lomo = 100
Lalitha = 93
Andi = 93
Anu = 55
Congratulations Archana for scoring the most points and thanks to all participants! The email communication with you regarding the hints and clues was a source of great pleasure for me!
Well, here are the answers! Read the rest of this entry »
Tags: 5 Rifles, Aaj Yeh Meri Zindagi, Aar-Paar, Abhi To Haath Me Jaam Hai, Ambika Johar, Amitabh Bachchan, Anand Bakshi, Anjaan, Asha Bhosle, Aziz Nazan, Bappi Lahiri, Chandan Ka Palna [1967], Chhod Mera Haath Mujhe Peene De, dev anand, Dharamendra, Dil Hi To Hai [1963], former Miss India, Geeta Dutt, happy God, Hasrat Jaipuri, Hoon Abhi Main Jawan Ae Dil, Hum Hain Nashe Mein, Jhoom Bharabar Jhoom Sharabi, Kishore Kumar, Lata Mangeshkar, Laxmikant-Pyarelal, Leela Naidu, Madan Mohan, Mahjabeen, maid of jerky movements, Majrooh Sultanpuri, Manna Dey, Meena Kumari, Mohd. Rafi, Mujhe Le Chalo, Mukesh, Namak Halal, Naza Sholapuri, Nutan, O. P. Nayyar, R. D. Burman, Raj Kapoor, Rajinder Krishan, Rakesh Khanna, Ramlal, Ravi, Roshan, Sahir Ludhianvi, Sandhya, Seeta aur Geeta [1972], Sehra [1963], Shahi Kapoor, Shakila, Sharaabi, sharabi sharabi mera naam ho gaya, Subah-O-Sham [1972], the illustrious one, Thodi Si Jo Pee Li Hai, Tumhari Mast Nazar, Waheeda Rehman, Yeh Raaste Hai Pyar Ke
My ten favourite Parveen Babi songs

Parveen Babi would have turned 63 today (4th April). She was a wonderful actress and a beautiful one at that. Born in Junagadh, Gujarat, she made her film-debut with Charitra [1973] opposite the cricket player Salim Durrani (is he related to G. M. Durrani, the singer?). I couldn’t find any video from Charitra but here is a song and here another one from her second film Dhuen Ki Lakeer [1974] opposite Ramesh Arora. Both the films flopped but she got noticed and had her major hit with Amitabh starrer Majboor [1974]. From then on there was no looking back. She not only had looks and sex-appeal but also good acting skills. If it were not for her impulsiveness and her illness, she would have reached heights, which other actresses could only have dreamt of. Instead she got reduced to playing the seductress and heroines in multistarrers like Shaan [1980], Do Aur Do Paanch [1980], The Burning Train [1980] and Mahaan [1983] or playing bit roles in Kranti [1981] and Razia Sultan [1983]. Nonetheless she left a big impression on the viewers and is still remembered for her mesmerizing looks and fabulous screen-presence.

I won’t go on about her sad end to her life and other tragic details of her life. These things can be read about in internet. Here is a post dedicated to this exceptional actress. Ten of her solo songs, which I like. Enjoy!
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Tags: Ameer Aadmi Gareeb Aadmi [1985], Amitabh Bachchan, Amjad Khan, Anand Bakshi, Anjaan, Asha Bhosle, Bappi Lahiri, Bindu, Bullet [1976], Chor Police [1983], Ek Bar Jaan-E-Jaana, Ek Gunaah Aur Sahi [1980], Happy Birthday, Har Ek Rasta Sajaa Ke Chal, Jab Tum Chale Jaaoge To Yaad Bahut Aaoge, Jaidev, Kala Sona [1975], Khaiyyam, Khwab Ban Kar Koi Aayega, Lata Mangeshkar, Laxmikant-Pyarelal, Main Hoon Tujh Pe Kyun Fida, Main To Beghar Hoon, Namak Halal [1982], Nida Fazli, Pancham, Parveen, Parveen Babi, Pyar Karne Wale, R. D. Burman, Raat Baki Baat Baki, Rajesh Roshan, Razia Sultan [1983], Shaan [1980], Shashi Kapoor, Suhaag[1979], Telephone [1985], ten favourite Parveen Babi songs, Tumse Milke Zindagi Ko Yun Laga, Yahi Hai Tamanna
My ten favourite blind women songs
I got the idea for this post when I read Yves’ review of the Sparsh [1980]. Blind people abound in Hindi cinema mostly as some blind chachas (uncles) in slums or are poor sisters or mothers, for whose eye-operation the hero commits some crime. Then there are the female leads, who are blind, where the story follows one way or the other the plot of Charlie Chaplin’s City Lights. Of course there are stories, where the story follows a different path altogether. All the stories have one thing in common that mostly the curing of the blindness plays a central role in the story. Exceptions as usual confirm the rule.

In my post Mala Sinha song list, while commenting the song from Patanga. I wrote that the species of blind heroines became rare in the 80s. I didn’t know that they had become so abundant in the last decade. My favourites though, as you would guess, are not from the last decade but earlier. Well, here they are! Enjoy!
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Tags: Aaj Raat Ko, Abke Na Sawan Barse, Ae Kaash Mein, Amitabh Bachchan, Anand Bakshi, Anuraag [1972], Aparna Sen, Asha Bhonsle, Asha Parekh, Barsaat Ki Ek Raat [1981], blind flower girl, Blind women, Chirag [1969], Chitchor, Chitragupta, Do Ghoont Mujhe Bhi Pilaade Sharabi, Faisla [1988], geeta bali, Gulzar, Hai Woh Pardesi Man Me, Hema Malini, Hemlata, Imaan Dharam [1977], Jailor [1958], Jeetendra, Jheel Ke Us Paar [1973], kandibona phagun gele, Kinara [1977], Koi To Aiye Re Bada Intezar Hai, Lalita Pawar, Lata Mangeshkar, Laxmikant-Pyarelal, Log Kahe Mera Saanwalaa Sa Rang Hai, Madan Mohan, Majrooh Sultanpuri, Mala Sinha Rajendra Kumar, Moushumi Chaterjee, Mujhi Me Chhupkar Mujhi Se Door, Mumtaz, Nasseruddin Shah, Patang (1960), R. D. Burman, Raakhee, Rajendra Krishan, Rameshwari, Rang Dil Ki Dhadkan Bhi, Ravindra Jai, Saira Banu, Satyajeet, Shashi Kapoor, Sohrab Modi, Sujit Kumar, Sun Ri Pawan, Sunayana [1979], Sunil Dutt, Vijendra Ghatge, Vinod Mehra
My Ten Favourite Telephone Songs From Hindi Films
The research for the fruit expose has been needing me to call lots of people on phone. This lead me to the idea of making a telephone song list. Okay, I didn’t come up with it in the last few days, but have been collecting them over the last few months. And the fact that, that I love Jalte hai jiske liye just drove me to make this list. Not all of the songs are sung completely on the telephone. Some just start with it and end up with the characters cavorting around the trees, but telephone songs they are.

So, give me a ring!
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Tags: Aadesh Srivastav, Alka Yagnik, Amitabh Bachchan, Anand Bakshi, Anhonee (1952), Anil Biswas, Anjaan, Asha Bhosle, atulsongaday, Baazi 1968, Baghban (2003), Bombay Ka Chor (1962), C Ramchandra, Chand Zard Zard Hai Mere Dil Mein, Ek Nanhi Munni Ladki Thi (1970), Ganesh, Gope, Hello Hello Ji, Hema Malini, Jaali Note (1960), Jalte Hain Jiske Liye, Jidher Dekhoon Teri Tasveer, Juari (1968), Kahan Gaya Mera Sanam, Kaho Kya Hai Ji, Kalyanji-Anandji, Kishore Kumar, Krishna Bose, Mahaan (1983), Main Yahaan Tu Wahaan, Majrooh Sultanpuri, Mala Sinha, Mere Dil Ki Dhadkan Kyaa Bole, Mohd. Rafi, Mr. Naidu, Mubarak Begum, Mumtaz, Nanda, Nargis, Neend Ud Jaye Teri Chain Se Sone Wale, Nigar Sultana, Nutan. Mere Piya Gaye Rangoon, O. P. Nayyar, Patanga (1949), Pyar Ki Yeh Batein Humko Na Samjao, R. D. Burman, Rajinder Krishan, Ravi, S. D. Burman, Sameer, Samshad Begum & Chitalkar, Shailendra Raj Kapoor, Shakeel Badayuni, Shashi Kapoor, Sujata (1959), Suman Kalyanpur, Sunil Dutt, Talat Mahmood, Talat Mahmood & Lata Mangeshkar, Talat Mohammad, Tanuja, Telephone songs, Waheeda Rehman
Hidden umbrella passions in ten Hindi film songs
Umbrellophily, a phenomenon not spoken sung about in the Hindi film industry. The author of these lines like many other fans of Hindi film songs was not aware of this shocking fact either. During his search for a list of his 10 favourite umbrella songs (since rain-song lists have been beaten to death), he stumbled over this taboo topic in the Hindi cinema. While he was searching, he could unearth only three songs, which mention an umbrella and two-thirds of them were not even melodious. Why this step-motherly treatment towards this ‘protector against rain’?
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Tags: aakhir tuut jaatha hai, Aap ke nazaron ne samjha, Aasha, Aayega, aayega aanewaalaa, Ab mera kaun sahara, Amitabh Bachchan, Anand Bakshi, Anpadh, Asha Bhosle, Asha Parekh, Ashok Kumar, bari, Barsaat, Bhichde sabhi bari, Dharmendra, Dhoop Chhaon, Do lafzon ki hai dil ki kahani, gondola, gondoliere, Gulzar, guru dutt, hai lagaa, Hasrat Jaipuri, Hema Malini, Hindi film songs, hum par jurm kare, Jaya Bhaduri, Joshila, K. C. Dey, K. L. Saigal, Kaagaz ke Phool, Kaantaa lagaa, Kaifi Azmi, Madhubala, Mahal, Majrooh Sultanpuri, Mala Sinha, My Sister. Do naina matware tihare, Nargis, Parichay, Pt. Sudarshan, pyaar ke kabil mujhe, Pyaasa, R. C. Boral, R. D. Burman, Rain songs, Raj Kapoor, Rameshwari, Reena Roy, Rehman, Samadhi, Shakti Samanta, Shankar-Jaikishan, Sheesha ho ya dil ho, Sonaa mile to log aaj kal dil ko kabhi na le, Teri ghathri me laaga chor musaafir jaag zara, The Great Gambler, umbrella, Umbrella passions, Umbrellophily, Vishal Bharadwaj, Zeenat Aman