Thank you dear friends, readers, participants and lovers of the quiz and the blog!
Thank you for the overwhelming response! It was also nice to see you, Lomo and Andi, who put their annual appearance at the birthday celebrations. Good to know, that you are there somewhere in the background. Maybe this is also a good opportunity to thank all the dear readers, who read the posts but can’t respond. THANK YOU everybody for all the support, love and affection you shower on me and the blog.

It was great fun for me to put the quiz together, but what was difficult, was to give points. In fact most of the participants gave all the answers right. There were only small technical mistakes, like forgetting to name a singer or the film name explicitly. So the points scored show rather my stringency, or shall we say tight-fistedness in giving points, rather than the participants’ knowledge of the songs.
Nobody got the answer to the 20 points question. What’s more, some also attempted to solve it. In fact, I would have been really surprised if anybody had got it right. Who would keep the statistics of this blog? 🙂
Maybe I should have framed the question properly. My mistake!

Sunehriyaadein had the best go at that question and her answer had me in splits for hours. With her kind permission I’m sharing it here.
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Tags: A big white mausoleum, aaja re aa zaraa aa lehra ke aa zara aa, above the second floor, AK, Anand Bakshi, Andi, Anniversary Quiz Answers, Anu, Aparna, Arunkumar Deshmukh, Asha Bhosle, Asha Parekh, Asha-Rafi, Ava, bachpan ke din bhi kya din the, Badi Behen [1949], Bina Rai, blames it on somebody, broken heart and don’t want to live anymore, chale jaanaa nahin, Chris, come hither a bit = aaja re aa zaraa aa, coy boy toy Roy, Cycle, dance till it dies, Dave, dekhiye sahibon woh koi aur thi, dev anand, Dharmendra, don’t go after meeting the eyes, Elder sister, Elvis and a wish, Flames, Footpath [1953], geeta bali, Geeta Dutt, Gold = Hema Malini, Hemant Kumar, Husnlal Bhagatram, Jaal [1952], jab dil hi toot gaya, jab tak hai jaan jaan-e-jahan, Joy Mukherjee, K. L. Saigal, kaisa jaadoo daalaa re, kaisa jadoo daalaa re, Khayyam, Kishore Kumar, Lalitha, Lata Mangeshkar, Laxmikant-Pyarelal, Lomo, Lotus-like, Love in Tokyo [1966], Madan Mohan, Majrooh Sultanpuri, Manna Dey, Meena Kumari, Miss Fish, Mohd. Rafi, Moon-Art, Mukesh, nain milaake, Nalini Jaywant, Naujawan [1951], Naushad, Pacifist, punished for love, Quiz Answers, R. D. Burman, Raja, Rajinder Krishan, Roshan, S. D. Burman, Sahir Ludhianvi, Saigal, Sardar Jafri, Shahjehan [1946], Shailendra, Shammi Kapoor, Shankar-Jaikishan, Shashikala, Sholay [1975], songsofyore.com, Sujata (1959), Sujata (means of a good caste), Sunehriyaadein, Taj Mahal [1963], Teesri Manzil [1966], thandi hawayein lehrake aaye, The childhood days spent like a butterfly, The cool breezes blowing, The Emperor of the world, the magician’s spell, the net, the night and moonlight will not come again, the pedestrian zone, The sacred book, The stringed instrument, where the sun rises, woh koi aur thi, ye raat ye chandani phir kahan, Youthful, zurm e ulfat pe hamen log sazaa dete hain
My ten favourite Sadhana songs

Today on your 71st birthday, wish you a happy birthday and many more to come, dear Sadhana! Thanks for the beautiful films and moments, which you have gifted us!
Sadhana, one of the Hindi screen’s beautiful leading ladies. She was a trend-setter in fashion, when nobody even knew this word. She was glamorous, beautiful and more importantly talented actress. Given the trend of the 60s, where the frothy musicals reigned supreme, she got ample scope to show her acting talents in variety of films. Bimal Roy, the ace-director cast her in Parakh (1960) and Prem Patra (1964). Raj Khosla made a trilogy of films with her in central roles Woh Kaun Thi? (1964), Mera Saaya (1966) and Anita (1967).

Her thyroid problem led to an eye ailment, which led to her going on a long treatment in the USA, due to which she was missed on many films. Her come-back films were Intequam (1969) and Ek Phool Do Mali (1969) were hits. The 70s even saw her don the cap of the director for Geeta Mera Naam (1974). The changing trends of the 70s saw her take retirement from the silver screen, though the 70s saw the release of delayed films like Amanat (1975), Vandana (1975) and Mehfil (1981). Her last film Ulfat ki Nayi Manzilein, whose music was released in 1968, got released in 1994. In the song here, we see how the film must have been completed with doubles, in the song, baharon se kahenge nazaroon se kahenge, we see only the back of the character played by her.

I have chosen only solo songs from her films and I have restricted myself to one song pro film.
Enjoy!
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Tags: aap ki inayaten aap ke karam, Ajay Sahni, Anand Bakshi, Anita [1967], Asad Bhopali, Asha Bhosle, Asli Naqli [1962], Bimal Roy, Biswajeet, dev anand, Dharmendra, Ek Phool Do Mali, Feroz Khan, Geeta Mera Naam [1974], guru dutt, hamne jin ke khwab sajaye, Happy Birthday Sadhana!, Hrishikesh Mukherjee, hum khoob jante hai, Ishq Par Zor Nahin [1970], kareeb aa yeh nazar phir mile, kaun aaya ki nigaahon me chamak jaag uthi, Kishore Kumar naina barse rimjhim rimjhim, kitna rangeen hai ye chaand sitaaron ka samaa, Lata Mangeshkar, Laxmikant-Pyarelal, Madan Mohan, main to tum sang nain milake haar gayi sajana, Manmauji [1962], Manoj Kumar, Mera Saaya [1966], My ten favourite Sadhana songs, Naaz, naino me badra chahe, o mere bairaagi bhanwara, o sajana barkha bahaar aayi, Parakh [1960], Parikshit Sahni, Picnic, Raaj Kumar, Raja Mehdi Ali Khan, Rajinder Krishan, Ravi, S. D. Burman, Saajan Ki Galiyan, Sahir, Salil Chowdhury, Shailendra, Shankar-Jaikishan, Sunil Dutt, suniye zara dekhiye na, tera mera pyar amar, Vandana [1975], Waqt [1965], Woh Kaun Thi [1964], Zaheeda
My ten favourite men-in-drag songs
Men in drag has me always in splits. It is one thing, which guarantees a laughter from my side. I know it doesn’t show much of a depth for my character. Yeah, how to put it much better than: I am like that only!

Men wearing women’s clothes is nothing new. In the early films of the Indian film industry boys would often take up female roles. Men in drag is all the same a more ancient phenomenon. The reasons behind it can be different ranging from transvestism to transgenderism. I can imagine that during times or in societies when and where homosexuality was looked down upon, it was one of the ways for men to approach men. For heterosexual men, I can think, it is a means to make fun of women and in this way digest the rejection by them. At the same time it can also be seen as a rebellion against the society and attempt to break away from the roles imposed by the society based on gender. All the same, it is not these deeper thoughts that go through my mind, why I love these songs.

Here are my favourite 10 songs from Hindi films with men in drag. Since it all is supposed to be fun, no rules this time, except for the quite obvious ones like one song pro actor. 😉
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Tags: Aake Sidhi Lagi Jaise, Anand Bakshi, Asha Bhosle, Babita, Bindu, Biswajeet, Bluff Master [1963], Bombay Se Baroda Tak, Dara Singh, Dharmendra, Five Rifles, Gulshan Bawra, Half Ticket [1962], Haseena Maan Jayegi [1968], homosexuality, I. S. Johar, Johar Mahmood In Hong Kong [1971], Kaatilon ke Kaatil [1981], Kajra Mohabbat Wala, Kalyanji-Anandji, Kalyanji-Anandji. Qamal Jalalabadi, Kamal Barot, Kishore Kumar, Kismat [1969], Laxmikant-Pyarelal, Lootera [1965], Malmal Me Badan Mora Chamke, Mehmood, Mohd. Rafi, My ten favourite men-in-drag songs, Nathaniya Hale To Bada Maza, Neetu Singh, O. P. Nayyar, Oy Chali Chali Kaisi Hawa, Paintal, Parde Ke Peechhey [1971], Patli Kamar Nazuk Umar, Pran, Rafoo Chakkar [1975], Rajinder Krishan, Rishi Kapoor, Saira Banu, Salil Chowdhury, Sar-E-Bazar Karenge Pyar, Shailendra, Shammi Kapoor, Shamshad Begum, Shankar Dada, Shankar-Jaikishan, Shashi Kapoor, Suno Suno, Teen Kuwareeyan... Hathon Me Mehndi, transgenderism, transvestism, Usha Mangeshkar, Vinod Mehra, Yogeeta Bali, Zeenat Aman
My ten favourite songs on not wanting to let go.
As I was humming abhi na jao chhodkar few days back, I realised that, not wanting to let the lover go is an oft-repeated motif in Hindi film songs. Well, from this thought to the thought of making list was a short hop.

Letting go, is a difficult task in life and not only the lover but also many other things in life. So here is to the process of relinquishing and surrender!
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Tags: Abhi Na Jao Chhodkar, Anand Bakshi, Anil Biswas, Asha Bhosle, Asha Parekh, Bade Dilwaala [1983], Bees Saal Baad [1962], Beqaraar Kar Ke Hume Yun Na Jaiye, Biswajeet, Bulo C. Rani, dev anand, Dharmendra, Do Badan [1966], Don't go... !, Geeta Dutt. Nargis, Hemant Kumar, Hum Dono [1962], Jaidev, Jogan [1950], jogi jab se tu aayaa more dwaare, Kahin Na Jaa Aaj Kahin Mat Jaa, Kishore Kumar, Lata Mangeshkar, Laxmikant-Pyarelal, Majrooh Sultanpuri, Manoj Kumar, Mat Jaa Mat Jaa Mat Jaa Jogii, Mat Jaiyo Naukariya Chhodke, mat jaiyon nagariya chhod ke, Meerabai, Mere Hamdam Mere Dost [1968], Mohammad Rafi, Mujhe Jeene Do [1963], Na Jaa Kahin Ab Na Jaa Dil Ke Sivaa, Na Jaa... !, Na Jaiyo Radhe Cheedenge Shyam, Naa Dir Diim ... Naa Jaa Naa Jaa Balam Balam Mere Naa, Naa Jaa O Mere Humdum, Nadii Naare Na Jaao Shaam Paiyaan padu, Nasir Husain, Padmini, Pardesi[ 1957], Prem Dhawan, Pyar Ka Mausam [1969], R. D. Burman, Ravi, Rishi Kapoor, Sadhana, Sahir Ludhianvi, Sardar Jafri, Sau Saal Baad [1966], Shakeel Badayuni, Sharmila Tagore, Shashi Kapoor, Sunil Dutt, Tina Munim, Waheeda Rehman
This post is on the same lines like Dustedoff’s ‘Some thoughts on the songs of Pyaasa‘. Bandini is a classic film, about which much has been written and said. It is always a treat for the eyes and the soul to watch it. As I was returning from Germany last Sunday, I was humming O jaane wale ho sake to laut ke aanaa and the thought crossed my mind to write up on the songs of the film, since they are so much like companions for me.

The music is by S. D. Burman and the lyrics by Shailendra and Gulzar (Mora gora ang lai le) It is interesting, that of the seven songs only two are picturised on the main character of the film. The two male protagonists don’t get any songs. Of the remaining five, four songs are sung by junior artistes and one is a background song.
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Tags: Asha Bhosle, Ashok Kumar, Bandini, Bandini film review, Bikash, Bimal Roy, Deven, Dharmendra, film synopsis, Good Luck Tea House, Gulzar, Kalyani, Lata Mangeshkar, Manna Dey, Mukesh, Nutan, Praveen Paul, Raja Paranjape, S. D. Burman, Shailendra, Songs of Bandini, Tarun Bose
Hidden umbrella passions in ten Hindi film songs
Umbrellophily, a phenomenon not spoken sung about in the Hindi film industry. The author of these lines like many other fans of Hindi film songs was not aware of this shocking fact either. During his search for a list of his 10 favourite umbrella songs (since rain-song lists have been beaten to death), he stumbled over this taboo topic in the Hindi cinema. While he was searching, he could unearth only three songs, which mention an umbrella and two-thirds of them were not even melodious. Why this step-motherly treatment towards this ‘protector against rain’?
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Tags: aakhir tuut jaatha hai, Aap ke nazaron ne samjha, Aasha, Aayega, aayega aanewaalaa, Ab mera kaun sahara, Amitabh Bachchan, Anand Bakshi, Anpadh, Asha Bhosle, Asha Parekh, Ashok Kumar, bari, Barsaat, Bhichde sabhi bari, Dharmendra, Dhoop Chhaon, Do lafzon ki hai dil ki kahani, gondola, gondoliere, Gulzar, guru dutt, hai lagaa, Hasrat Jaipuri, Hema Malini, Hindi film songs, hum par jurm kare, Jaya Bhaduri, Joshila, K. C. Dey, K. L. Saigal, Kaagaz ke Phool, Kaantaa lagaa, Kaifi Azmi, Madhubala, Mahal, Majrooh Sultanpuri, Mala Sinha, My Sister. Do naina matware tihare, Nargis, Parichay, Pt. Sudarshan, pyaar ke kabil mujhe, Pyaasa, R. C. Boral, R. D. Burman, Rain songs, Raj Kapoor, Rameshwari, Reena Roy, Rehman, Samadhi, Shakti Samanta, Shankar-Jaikishan, Sheesha ho ya dil ho, Sonaa mile to log aaj kal dil ko kabhi na le, Teri ghathri me laaga chor musaafir jaag zara, The Great Gambler, umbrella, Umbrella passions, Umbrellophily, Vishal Bharadwaj, Zeenat Aman
My 10 favourite ‘maanjhi’ songs from Hindi cinema

To say that I love the maanjhi songs would be an understatement. Particularly “O re maanjhi” from Bandini takes me to a different dimension. Maanjhi (also pronounced as maajhi) is a boatman. In songs and poems they are often pleaded to by lovers (mostly women) to take them across the river to meet their beloved. In devotional songs he is the spiritual master who is being begged by the seeker to give him/her that shift in consciousness, which will take him/her from the body consciousness to brahman. These two different levels give the songs a certain spin.
So here are my favourite 10 ‘maanjhi’ (in chronological order) songs from Hindi cinema. Read the rest of this entry »
Tags: Aaya Sawan Jhoom Ke. Maanjhi naiya dhoondhe kinara, Amit Kumar, Amitabh Bachhan, Aruna Irani, Asha Parekh, Ashok Kumar, baaz, Bade acche lagte hai, Ballika Badhu, Bandhe Hath, Bandini, Biraj Bahu, chalo hole hole, dev anand, Dharmendra, Ferry, geeta bali, Gulzar, guru dutt, Hema Malini, Hemant Kumar, Hum Hindustani, Jeetendra, Kamini Kaushal, Kashti, Khushboo, Kishore Kumar, Lata Mangeshkar, Laxmikant-Pyarelal, Maajhi Albele, Maanjhi Chal O Maanjhi Chal, Maanjhi Meri Qismat Ke Jee Chahe, Manjhi re le chal naiyya, mere saajan hai us paar, Mumtaz, Naav Badha Le Maajhi Jor Laga Le, Nirmal Choudhary, Nutan, O Maanjhi O Maanjhi Re, O maanjhi re apna kinara, OP Nayyar, Pancham, Rajendra Krishna, Rajni Sharma, RD Burman, Sachin, SD Burman, Shailendra, Swaroop Dutt, tu Chale To Cham Cham Baje, Upahaar, Usha Khanna