Thank you dear friends, readers, participants and lovers of the quiz and the blog!
Thank you for the overwhelming response! It was also nice to see you, Lomo and Andi, who put their annual appearance at the birthday celebrations. Good to know, that you are there somewhere in the background. Maybe this is also a good opportunity to thank all the dear readers, who read the posts but can’t respond. THANK YOU everybody for all the support, love and affection you shower on me and the blog.

It was great fun for me to put the quiz together, but what was difficult, was to give points. In fact most of the participants gave all the answers right. There were only small technical mistakes, like forgetting to name a singer or the film name explicitly. So the points scored show rather my stringency, or shall we say tight-fistedness in giving points, rather than the participants’ knowledge of the songs.
Nobody got the answer to the 20 points question. What’s more, some also attempted to solve it. In fact, I would have been really surprised if anybody had got it right. Who would keep the statistics of this blog? 🙂
Maybe I should have framed the question properly. My mistake!

Sunehriyaadein had the best go at that question and her answer had me in splits for hours. With her kind permission I’m sharing it here.
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Tags: A big white mausoleum, aaja re aa zaraa aa lehra ke aa zara aa, above the second floor, AK, Anand Bakshi, Andi, Anniversary Quiz Answers, Anu, Aparna, Arunkumar Deshmukh, Asha Bhosle, Asha Parekh, Asha-Rafi, Ava, bachpan ke din bhi kya din the, Badi Behen [1949], Bina Rai, blames it on somebody, broken heart and don’t want to live anymore, chale jaanaa nahin, Chris, come hither a bit = aaja re aa zaraa aa, coy boy toy Roy, Cycle, dance till it dies, Dave, dekhiye sahibon woh koi aur thi, dev anand, Dharmendra, don’t go after meeting the eyes, Elder sister, Elvis and a wish, Flames, Footpath [1953], geeta bali, Geeta Dutt, Gold = Hema Malini, Hemant Kumar, Husnlal Bhagatram, Jaal [1952], jab dil hi toot gaya, jab tak hai jaan jaan-e-jahan, Joy Mukherjee, K. L. Saigal, kaisa jaadoo daalaa re, kaisa jadoo daalaa re, Khayyam, Kishore Kumar, Lalitha, Lata Mangeshkar, Laxmikant-Pyarelal, Lomo, Lotus-like, Love in Tokyo [1966], Madan Mohan, Majrooh Sultanpuri, Manna Dey, Meena Kumari, Miss Fish, Mohd. Rafi, Moon-Art, Mukesh, nain milaake, Nalini Jaywant, Naujawan [1951], Naushad, Pacifist, punished for love, Quiz Answers, R. D. Burman, Raja, Rajinder Krishan, Roshan, S. D. Burman, Sahir Ludhianvi, Saigal, Sardar Jafri, Shahjehan [1946], Shailendra, Shammi Kapoor, Shankar-Jaikishan, Shashikala, Sholay [1975], songsofyore.com, Sujata (1959), Sujata (means of a good caste), Sunehriyaadein, Taj Mahal [1963], Teesri Manzil [1966], thandi hawayein lehrake aaye, The childhood days spent like a butterfly, The cool breezes blowing, The Emperor of the world, the magician’s spell, the net, the night and moonlight will not come again, the pedestrian zone, The sacred book, The stringed instrument, where the sun rises, woh koi aur thi, ye raat ye chandani phir kahan, Youthful, zurm e ulfat pe hamen log sazaa dete hain
How time flies! I have a feeling that the last quiz was some two months ago and in fact a year has passed since and my nanha munha blog is already three years old. Happy Birthday my dear harveypam blog. You have given me many moments of pleasure and have always been an outlet for my creative energy. More than that, lots of thanks goes to the readers of this blog and the commentators, who have always encouraged me and sent me many songs, which were new for me. The comments also provided me with information, which I didn’t have before. Besides info and songs, it was always fun to communicate with you. Thank you from the bottom of my heart!

I have already written about the blog’s past history and the form it has taken now. And this quiz has a lot to do with it. This quiz-pattern isn’t my invention. Some Hindi-Filmi-Sangeet deewane had been practising it on the discussion forum rec.music.indian.misc. (RMIM) for a long long time. Here is an example. Since few years it has been abandoned.
PLEASE SEND THE ANSWERS TO THE QUIZ TO
h a r v e y b l o g (a) h o t m a i l dot c o m
PLEASE DON’T POST THEM IN THE COMMENTS SECTION.
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Tags: antara, Happy third birthday, mukhda, Quiz, RIP Shamshad Begum, Song Quiz
Ten of my favourite Waheeda Rehman songs
Waheeda Rehman! Just spelling out that name conjures a vision of great beauty for me. Beauty yes, but not coquette, not of a siren, very down to earth beauty, which radiates warmth. A smile, which brightens up your day. Grace, which mesmerises you. Eyes so expressive, that they could show a whole kaleidoscope of emotions and of a depth that one could lose oneself in it. An ethereal beauty! You would say how do a down-to-earth and ethereal go together. Well, that is what Waheeda Rehman is all about. Bringing together contradictions like truth always is. And truth is beautiful and divine. No wonder Guru Dutt sings and describes her a chaudhvin ka chaand (the full moon) in the film by the same name.

There was and is more to Waheeda than her beauty. A versatile actress, she proved her acting prowess again and again in different films. She showed their highs and lows, their dark and brighter sides, but what she gave them all was a human quality. A vulnerability, which made them connect to you. It might be the street smart hooker of Pyaasa or the career-oriented Rosie of Guide or the repentant Shanta waiting for her husband in Phagun. You could relate to all of them. You might not agree with them, but you could empathise with them.

Choosing ten songs from her films was not easy. Thus I laid some criteria for choosing them.
a. The film must have her in a main role.
b. It must be a solo song
c. Waheeda must be lip-syncing to the song.
Dustedoff and Sunehriyaadein have already published a post of their favourite Waheeda Rehman songs and Anu of her favourite Waheeda roles. This post began as a comment at Sunehriyaadein’s post. Over the years it has changed indeed! Enjoy!
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Tags: aa aa bhi jaa raat dhalne lagi, Asha Bhosle, badle badle mere sarkar, Balkavi Bairagi, Chaudhvin Ka Chaand [1961], dev anand, Ek Dil Sau Afsane 1963], Guide [1965], guru dutt, Hasrat Jaipuri, Hemant Kumar, Jaidev, Lata Mangeshkar, Majrooh Sultanpuri, meri baat rahi mere man me, Mujhe Jeene Do [1963], My ten favourite Waheeda Rehman songs, Neeraj, o jaadugar pyaar ke ye bataa, Phagun [1973], piyaa tose nainaa laage re, Prem Pujari [1970], raat bhi hai kuchh bheegi bheegi, Raj Kapoor, rangeela re tere rang me, Ravi, Reshma Aur Shera [1972], Roop Ki Rani Choron Ka Raja [1961], S. D. Burman, Sahib Bibi Aur Ghulam [1962], Sahir Ludhianvi, sandhya jo aaye man ud jaaye, Shailendra, Shakeel Badayuni, Shankar-Jaikishan, Sunil Dutt, Teesri Kasam [1967], tu chanda maina chandani, tum to dil ke taar chhed kar, Waheeda Rehman
My ten favourite Meena Kumari songs

Meena Kumari, a face, which launched thousand tragic films. A thousand might be a bit of exaggeration, but she alone on her star-power helped tragic films to great success. In the 50s and even in the frolicking, colourful 60s, people would flock the cinema halls (to different degrees) to see her suffer. She was also an adept comedienne, in which she also excelled and was quite successful as seen in Magroor [1950], Miss Mary [1957], Azaad [1955] and Kohinoor [1960].

Meena Kumari at a certain time in my childhood played a big role in shaping the image of women in my psyche. Exposed to a slew of films, where she played a neglected wife, a suffering daughter-in-law, a sacrificing daughter, a caring sister-in-law, a protective sister or ‘simply’ a tormented woman between two men, she moulded an image of women being forever doomed to suffer at the hands of men in life. It is true that even other leading ladies like Mala Sinha (Anpadh) or Nutan (Khandan, Chhota Bhai) played such roles but it was as if they were impersonating Meena Kumari in these films. Meena Kumari remained always the original and the one to which others had to match to.
The presence of strong, independent and liberal women in my family and surroundings though would rectify the image in my mind; Meena Kumari would nevertheless always remain special.

On 31st March it was her 41st death anniversary. To commemorate it here are ten of my favourite songs filmed on her. Read the rest of this entry »
Tags: 31st March, 41st death anniversary, aaj ham apni duaon ka asar dekhenge, aaj to meri hansi, ajeeb dastan hai yeh, Akeli Mat Jaiyo [1963], Asha Bhosle, Ashok Kumar, Bahu Begum [1967, Baiju Bawra [1952], C Ramchandra, chalo dildaar chalo, chalte chalte, Chitralekha [1964], Dil Apna Aur Preet Parai [1960], Dil Ek Mandir [1963], duniya kare sawaal to ham kya jawab de, Durga Khote, Edwina Violette, Geeta Dutt, Ghulam Mohammad, Gomti Ke Kinare [1972], ham tere pyar me saara aalam, Hasrat Jaipuri, Hemant Kumar, inhi logon ne, Kaajal [1965], Kamal Amrohi, kitni jawan hai raa tkoi yaad aa gaya - Azaad [1955], Lata Mangeshkar, Madan Mohan, Majrooh Sultanpuri, mausam hai aashiqana, Meena Kumari, mohe bhool gaye sanwariya, My ten favourite Meena Kumari songs, Nadira, Naushad, Pakeezah [1972], piya aiso jiya me samay gayo re, Raaj Kumar, Rajendra Krishna, Rajendra Kumar, Ravi, Roshan, Sahib Bibi Aur Ghulam [1962], Sahir, Sahir Ludhianvi, sansar se bhaage phirte ho, Sawan Kumar Tak, Shailendra, Shakeel Badayuni, Shanker-Jaikishan, thade rahiyon, tora man darpan kehlaye, woh jo milte the kabhi
Arunji, whose anecdotes and memories of the good old times we adore and whose filmi knowledge, we admire, springs in the arena once again to fill up the empty time space here. Thank you Arunji! Without much ado, I pass the mike to him.
Arunkumar Deshmukh’s ten favourite inspired song-pairs
EK DIL DO JAANE- EK TUNE DO GAANE
The other day I was reading a book in my Drawing Room,when I heard my college going grandson telling a small boy,” you don’t know,but in our times,things were not like this…”
I smiled. Every generation thinks that their times were better that the present one.
I wondered whether if I tell today’s children that in my college days,Petrol was costing only 5 Rupees a Gallon (around 3.7 Litres) or that a car driver could be hired on a salary of Rs.150 pm, will they believe it ? We never believed when our elders told us that Gold was bought by them at 10 Rs. a Tola (about 11.4 Gms.),because at the time of my marriage Gold was costing 150 rupees per Tola(about 11.4 gms).Today when Gold has crossed the barrier of rs.30000 for just 10 gms,these stories look like Arabian Night stories,indeed !!
Sometimes I keep thinking if old times were better or the present times are better.I have not been able to come to any conclusion so far.
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Tags: Aa jao tumhe dil ka, Aakhri Dao [1958], Aankhon se jo utari hai dil mein, Anand Bakshi, Anil Biswas, Anjum Pilibhiti, Anmol Ghadi [1946], Arun Deshmukh, Arun Deshmukh’s ten favourite inspired song-pairs, Arzoo [1965], Asha Bhosle, Aye phoolon ki raanee, B R Sharma, Chunariya [1948], De di hamen Azaadi, Dharamputra [1961], Didi [1948], Dil e naashaad ko jeene ki hasrat, Dil jalta hai to jalne de, Dr.Safdar 'Aah', Ek phool do Maali [1969], Guest Post, Hamee se muhabbat hamee se Ladai, Hansraj Behl, Hasrat Jaipuri, Heer [1956], Hemant Kumar, Jaadoo [1951], Jagriti [1954], Jeevan Mrityu [1970], Kavi Pradeep, Kiska deep Jalta hai, Kya mil gaya Bhagwan, Lata Mangeshkar, Laxmikant-Pyarelal, Leader (1964), Madan Mohan, Main jab bhi akeli hoti hoon, Majrooh Sultanpuri, Mamta [1966], Manna Dey, Mitti Me Sona [1960], Mohd. Rafi, Mukesh, Mukund Masurekar, N.Datta, Naadan muhabbat walon ke, Naujawan [1951], Naushad, Naya Daur [1957], Noorjehan. Dil leke daga denge, O. P. Nayyar, Pehli nazar [1945], Phir milogi kabhi, Phir Wohi Dil Laya Hoon [1963], Poocho na hamein, Prem Dhawan, Rahen na rahen hum, Raja Mehdi Ali Khan, Ravi, Roshan, S. D. Burman, S. H. Bihari, Sahir Ludhianvi, Saraswati Kumar Deepak, Shakeel Badayuni, Shanker Das Gupta, Shanker-Jaikishen, Thandi hawayen, Vo chaand muskuraya, Yeh parda hataa do, Yeh Raat Phir Na Aayegi [1966], Zamane mein aji kai aise naadan
My ten favourite insomnia songs
Spending the night in bed tossing around has happened to each and everybody of us. One would like to sleep, but the stream of thoughts just don’t end. The body is tired, but the mind wide awake. You tell yourself, that you have so many things to do the next day and the most appropriate thing to do now would be to sleep. You get irritated over it, which make matters only worse. And then in the wee hours of the morning, when you are supposed to be soon getting up, you fall asleep in sweet, sweet slumber! A dear friend of mine, Raja, was in this situation a few days back. This unfortunate incident made me come up with this list.
But the songs below don’t sing about the situation described above, but are rather moans of separated lovers or are freshly-fallen-in-love pairs. For this list, I have chosen songs with neend(iyaa) na aaye in the mukhdaa (refrain). I hope you like them as much as I do.
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Tags: Aji Bas Shukriya [1958], Amar Prem [1974], Amirbai Karnataki, Amrita Singh, Anand Bakshi, Anil Biswas, Anita Guha, bairan neend na aaye mohe, bairan nindiya kyun nahin aayi, beimaan tore nainawaa neendiya na aaye, Chachaa Zindabad [1959], D. N. Madhok, Dhun [1953], Dilip Kumar, Faroque Kaiser, geeta bali, Hansraj Bahl, Hemant Kumar, insomnia, jaane kyaa baat hai, Kaifi Irani, Kalyanji-Anandji, Lata Mangeshkar, Madan Mohan, Madhubala, Meena Kumari, Miss Mary [1957], Munimji [1955], my ten favourite insomnia songs, Nalini Jaywant, Nargis, neend na aaye, neendiya na aaye, o neend na mujhko aaye, Post Box 999 [1958], Pujaari [1946], R. D. Burman, raina beeti jaaye, Rajesh Khanna, Rajinder Krishan, Roshan, S. D. Burman, saajan bin neend na aave, saari saari raat teri yaad sataye, Sahir Ludhianvi, Shakila, Sharmila Tagore, so gaya saara zamana, Sunil Dutt, Sunny Deol, Sunny [1984], Tarana [1951], tum bin piya nindiya na aaye, Wali Sahab
My ten favourite kaun aayaa songs

I’m sure it must have happened to you as well. Sometimes you meet a person and the mere presence of this man/woman makes you feel good. You need not talk about overtly intelligent topics. You might not laugh heartily, but just being in the presence of that particular person makes you feel wonderful. It makes you feel as if you have experienced inner growth. Few days back, I again had such an experience, where I was left wondering: What was that? I was so elated, that I posted the song yeh aaj meri zindagi me kaun aa gaya on a forum I frequent, which gave me the idea for this post.
Unlike my last experience, the encounters making the characters of Hindi film exclaim “yeh kaun aayaa” are mostly of romantic nature. Some feel that spring has come, while others feel the moon has risen. Everybody has his or her own of exclaiming and rejoicing in this emotion. I personally think that a good song can convey more than the words themselves. So, enjoy my ten favourite kaun aayaa songs and tell me about yours.
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Tags: Anand Bakshi, Anoop Kumar, Asha Bhosle, Asha Parekh, Baazi [1951], Deepti Naval, Dekh Kabira Roya [1957], dekho yeh kaun aayaa, Dil Deke Dekho [1959], Farooque Sheikh, Geeta Dutt, imi Garewal, Imtihaan [1974], Indu Jain, Jawani Diwani [1972], Jaya Bhaduri, Kalpana Karthik, Katha [1983], kaun aayaa kaun aayaa, kaun aayaa ki nigahon me chamak jaag uthi, kaun aayaa mere man ke dwaare, kaun yeh aayaa mehfil me, Kishore Kumar, Lata Mangeshkar, Laxmikant-Pyarelal, Look who’s here!, Madan Mohan, Majrooh Sultanpuri, Manna Dey, Mohd. Rafi & Usha Khanna, Munshi Aarzoo, my ten favourite kaun aayaa songs, Nartaki [1939], Naseeruddin Shah, Naushad, Pankaj Mullick, Poonam Dhillon, R. D. Burman, Raaj Kumar, Raj Kamal, Rajendra Krishan, Rajendra Kumar, Randhir Kapoor, Ravi, rosha maati, roz shaam aati magar aisi na thi, S. D. Burman, saamne ye kaun aayaa dil me huyi hulchal, Saathi [1968], Sadhana, Sahir Ludhianvi, Savere Wali Gaadi [1986], Shakeel Badayuni, Shammi Kapoor, Sunny Deol, Suresh Wadkar & Asha Bhosle, tambadi maati, Tanuja, Usha Khanna, Vinod Khanna, Waqt [1965], yeh kaun aaj aayaa sawere sawere, yeh kaun aayaa, yeh kaun aayaa ke mere dil ki duniya me bahaar aayi, yeh kaun aayaa roshan ho gayi mehfil kisake naam se
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Seeing no new post from me on my blog, my readers got concerned about it. Pacifist just couldn’t tolerate this utter neglect and came again to my rescue. thank you, dear Pacifist. This is her third post on this blog and with it she is showing her business acumen. Bravo, Pacifist! More power to the small businessmen and -women!
Pacifist’s choice of 10 songs of small business
Thank you Harvey. I’m quite pleased at having this opportunity of posting 10 songs on a subject I have often thought about. People selling stuff, doing business. It was a wonderful time of economic opportunity, letting the small fish survive. Today they have been eaten up by the big fish. I don’t mean to imply that they all sold stuff in the filmi manner, but sell, they did.
So in memory of those small dying/dead businesses, here are 10 such songs.

I do have more than 10 songs with a different product being sung and sold, but I’m such a sucker for melody, tunes which are pleasing to my ears that I left some and took some even though the product got repeated. Boot Polish was one such, Tel Maalish another 🙂
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Tags: aaj ki taaza khabar, Asha Bhonsle, baman ho ya jaat, Bhagwaan, boot chappal sandal- Karigar (1958), C Ramchandra, channa chor garam babu, Chitragupt, dev anand, Dhumal, ek aana boot polish do aana tel maalish, Film Pyaasa (1957), Ghar ki Laaj (1960), Guest Post, Jaan Nissar Akhtar, Jadoo [1951], Johnny Walker, Kabhi Andhera Kabhi Ujala (1958), Karigar (1958), Kishore Kumar, lelo choodiyan main laya nirali, lelo lelo do phool jani lelo, Majrooh Sultanpuri, Maya [1961], Meena Kumari, Mohammad Rafi, Mukesh, Nalini Jaywant, Naushad, Naya Andaaz (1956), O. P. Nayyar, OP Nayyar, Pacifist, Prem Dhawan, Rajendra Krishan, Ravi, Sahir Ludhianvi, Sajid Khan, Salil Choudhary, sar jo tera chakraye, SD Burman, Shakeel Badayuni, Shamshad Begum, Shanti Mathur, Sheikh Mukhtar, Son of India (1962), surma mera nirala, Tel Maalish Boot Polish (1961), This Singing Business, Usha Mangeshkar, zindagi hai kya, Zorabai
Today, on the occasion of Nanda’s birthday, here is a different kind of post; Nanda and her eight different voices. If you were a leading actress in the 60s and 70s, like Nanda, you could spend your entire career without having had lip-synced to anybody but Lata and Asha’s voice. Since Lata had that tiff with Rafi, it could be possible that Suman Kalyanpur also lent her voice to you in a duet with him. Thus, it is amazing to see that Nanda moved her lips to eight singers in her short career.
Today is also Madhu-Dustedoff’s birthday. So here is to both of your birthdays!! Read the rest of this entry »
Tags: Agra Road [1957], Akashdeep [1965], Asha Bhosle, betaab nigahon se mujhe dekhne walo, Chhalia [1973], Chitragupta, Dustedoff’s birthday, Geeta Dutt, Gumnaam [1965], gunahao ka chirag jal na sakega, Hasrat Jaipuri, jaan-e-chaman shola badan, Kala Bazaar [1960], Khaiyyam, Lata Mangeshkar, Leela Chitnis, Majrooh Sultanpuri, mile to phir jhuke nahin, Mohabbat Isko Kahete Hain [1965], Mohd. Rafi, Mukesh, na main dhan chahoon, Nanda's eight voices, Nanda’s birthday, Nartaki [1963], Navin Nischol, pike ham tum jo chale, Prem Dhawan, R. D. Burman, Rajinder Krishan, Ravi, Roshan, S. D. Burman, Shailendra, Shakeel Badayuni, Shankar-Jaikishan, Sharda, Shashi Kapoor, Sudha Malhotra, Suman Kalyanpur, Sunil Dutt, theriye hosh me aa loo, Usha Mangeshkar, Vani Jairam, zindagi me aap aaye
My ten favourite Nalini Jaywant solo songs

If I ask my niece who is Nalini Jaywant, she will most probably say that she must be one of my innumerable aunts. In fact, I do have a distant aunt with the name of Nalini. But the actress Nalini Jaywant seems to have faded into oblivion. When one reads discussions on Hindi film actresses of the 50s, her name hardly appears. Maybe the reason is her self-imposed exile, otherwise it is hard to understand, why she should disappear from public memory. In her heydays she was considered the most beautiful actress and as a talented actress by her colleagues.

She started her career in her teenage years, playing sister (the title role) to Sheikh Mukhtar in Mehboob Khan’s Bahen [1941], where she sang all her songs in her own voice.. Her films in the 40s were nothing to write home about, till she made a splash with Anokha Pyar [1948] as the all-sacrificing part of the triangle, showing Dilip Kumar once again between two strong ladies, the other being Nargis. After that there was no looking back for her, acting in hit films like Samadhi, Naubahar, Rahi [1952], Shikast, Munimji, Nastik and Kala Pani. Like many of her contemporaries she couldn’t carry her success streak into the 60s and retired from the silver screen. She appeared only in two films in the 80s Bandish [1980] and Nastik [1983].

More detailed writing on her career can be found at Upperstall and by Shishir Krishna Sharma on his blog. The first and last photo in this post are from his collection. Thank you Shishirji for the loan!
Here are my ten favourite solo songs of this beautiful and talented actress. Enjoy!
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Tags: abhi shaam aayegi niklenge taare, ae ri main to prem deewani, Ajit, Asha Bhosle, Ashok Kumar, beimaan balama man bhi jaa, C Ramchandra, chand madham hai aasman chhup hai, dev anand, dil laga ke kadar gayi pyaare, Dilip Kumar, ghayal hiraniya main ban ban, Hum Sab Chor Hain (1956), jab nain mile nainon se, Jadoo [1951], Kala Paani [1958], kanha bajaye bansuri aur gwale bajaye manjire, kare badra tu na jaa, Lata Mangeshkar, Madan Mohan, Majrooh Sultanpuri, Meerabai, Munimji [1955], My ten favourite Nalini Jaywant solo songs, Nalini Jaywant’s second death anniversary, Nastik [1954], Nau Bahar [1952], Naujawan [1951], Naushad, O. P. Nayyar, Pradeep, Premnath, Railway Platform [1955], Rajinder Krishna, Roshan, S. D. Burman, Samadhi [1950], Shailendra, Shakeel, Shammi Kapoor, Shamshad Begum, Shankar-Jaikishan, Shikast [1953], Shishir Krishna Sharma, Sunil Dutt, Suresh, thandi hawayein lehra ka aaye