My ten favourite Asha-Lata duets
Happy Women’s Day! Today on the occasion of Women’s day, I would like to focus on two ladies, who have influenced Indian cinema in a way, which hardly anybody has done till now. The two ladies in question are Lata Mangeshkar and Asha Bhosle.

(by Gautam Rajadhyaksha, from: http://forbesindia.com/slideshow-big/recliner/gautam-rajadhyaksha-the-pharaoh-of-faces/28732/1)
Lata Mangeshkar and Asha Bhosle dominated the female playback singing in the Hindi film industry from the 50s to the 80s. Their art and artistry still influences the singing of the female singers in India. Each of them has allegedly sung more than 4000 songs, but it is said that they recorded only 75 songs (duets, trios, and quartets) together in Hindi films. Their first duet was recorded for the film Daman [1951] under the baton of K. Dutta and the song was ye ruki ruki hawaiyen.

(from: http://withfriendship.com/user/neeraj/Asha_Bhosle.php)
While Lata has that virginal, untouched, sweet voice, there is this dark, seductive tone of Asha’s. For me Lata’s voice is like a thandi hawa, which refreshes and cools, while Asha’s voice is one which though it might be outwardly calm brings a whirlwind bringing all my feelings and emotions in a chaos. What really strikes me about Asha’s voice is her phenomenal width. She seems to go from one octave to the other like a lift and bridge it with a effortlessness, which takes my breath away. Both of them have a phenomenal technique, which has assured them a long career.
Making a 10 favourite list for Lata or Asha is a futile task. I won’t even attempt it, thus I have taken an easier way out and listed my ten favourite Asha-Lata duets. In the duets their rivalry or let us say healthy competition can be seen in how the lines of the song are divided among them. It is also interesting to note that if the duet was between the leading lady and her friend, then Lata always gave playback to the heroine and Asha got to sing for the sakhi.
I will stop analysing and present my ten favs. Hope you like and enjoy them.
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Tags: Aaye Din Bahar Ke [1966], Ae Kaash Kisi Diwane Ko, Aji Chale Aao, Anand Bakshi, Aruna Irani, Asha Bhosle, Asha Parekh, Bahu Begum [1967, Basant Bahar [1956], Bela Bose, Bharosa [1963], Chanchal, Daman [1951], Dhadhkaa O Dil Dhadhkaa, Halaku [1956], Happy Women’s Day! Lata Mangeshkar, Hasrat Jaipuri, Helen, Hemant Kumar, Jab Jab Tumhe bhulaya, Jabse Laagi Tose Najariya, Jahan Ara [1964], Jamuna, Jis Desh Mein Ganga Behti Hai [1960], K. Dutta, Kar Gaya Re Kar Gaya Mujh Pe Jadoo, Kum Kum, Kya Hua Yeh Mujhe Kya Hua, Laxmikant-Pyarelal, Madan Mohan, Man Kyo Beheka Ri Beheka, Meena Kumari, Minoo Mumtaz, Miss Mary [1957], My ten favourite Asha-Lata duets, Nazima, Nimmi, Pad Gaye Jhoole, Padmini, Rajinder Krishan, Ravi, Roshan, Sahir, Sai, Sakhi Ri Sun Bole, Shailendra, Shankar-Jaikishan, Shikar [1968], Subbulaxmi, Utsav [1984], Vasant Dev, ye ruki ruki si hawaiyen, Zeb Rehman
My ten favourite songs on not wanting to let go.
As I was humming abhi na jao chhodkar few days back, I realised that, not wanting to let the lover go is an oft-repeated motif in Hindi film songs. Well, from this thought to the thought of making list was a short hop.

Letting go, is a difficult task in life and not only the lover but also many other things in life. So here is to the process of relinquishing and surrender!
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Tags: Abhi Na Jao Chhodkar, Anand Bakshi, Anil Biswas, Asha Bhosle, Asha Parekh, Bade Dilwaala [1983], Bees Saal Baad [1962], Beqaraar Kar Ke Hume Yun Na Jaiye, Biswajeet, Bulo C. Rani, dev anand, Dharmendra, Do Badan [1966], Don't go... !, Geeta Dutt. Nargis, Hemant Kumar, Hum Dono [1962], Jaidev, Jogan [1950], jogi jab se tu aayaa more dwaare, Kahin Na Jaa Aaj Kahin Mat Jaa, Kishore Kumar, Lata Mangeshkar, Laxmikant-Pyarelal, Majrooh Sultanpuri, Manoj Kumar, Mat Jaa Mat Jaa Mat Jaa Jogii, Mat Jaiyo Naukariya Chhodke, mat jaiyon nagariya chhod ke, Meerabai, Mere Hamdam Mere Dost [1968], Mohammad Rafi, Mujhe Jeene Do [1963], Na Jaa Kahin Ab Na Jaa Dil Ke Sivaa, Na Jaa... !, Na Jaiyo Radhe Cheedenge Shyam, Naa Dir Diim ... Naa Jaa Naa Jaa Balam Balam Mere Naa, Naa Jaa O Mere Humdum, Nadii Naare Na Jaao Shaam Paiyaan padu, Nasir Husain, Padmini, Pardesi[ 1957], Prem Dhawan, Pyar Ka Mausam [1969], R. D. Burman, Ravi, Rishi Kapoor, Sadhana, Sahir Ludhianvi, Sardar Jafri, Sau Saal Baad [1966], Shakeel Badayuni, Sharmila Tagore, Shashi Kapoor, Sunil Dutt, Tina Munim, Waheeda Rehman
Happy Birthday Padmini!
Mr. Sampath serves as a good show case for Padmini’s talent. She has lots of dances, from folk-lore to ‘semi-classical’ (whatever that means). Padmini, born on 12. June, had a long career of nearly 30 years as a leading lady, a record of sorts. I don’t know of any Indian actress, having such a long reign as a leading actress.
But all said and done the film belongs to the lead actor, Motilal. He IS Mr. Sampath.
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Tags: Agha, corruption, fraud, Gemini pictures, Kanhaialal, Madras, Motilal, Mr. Sampath, Mr. Sampath film review, novel, Padmini, Padmini's birthday, R. K. Narayan, S. S. Vasan, satire, Sundari, Swaraj, theatre company, Vanaja