Thoughts on a wall on Mother’s Day
Growing up in Bombay as a small kid in the 1970s meant knowing your Sholay [1975] and Deewar. I had allegedly seen Sholay, but I couldn’t remember a single frame of it. It is quite possible that this was again a trick by my siblings to console me since they often went to films without me. After all who would like a eight years younger brother tagging along. I never had a chance to see Deewar. All the same I think I knew all the dialogues of both the films. One just couldn’t escape them. One thing all the same always rankled me that I hadn’t seen Deewar, this fact was remedied by the post on Parveen Babi, where in the comment section, pacifist provided me with the link to the movie (bless her!).
In this post, I will just write down some thoughts to this landmark film and not write much about the story, I think many of my readers know it. If some don’t, Anu has given an excellent (nearly frame to frame) narration of the plot on her blog. Good insight in the film has also been provided by Philip Lutgendorf and at Upperstall. All three articles make good reading.
Possible Spoilers Ahead
Read the rest of this entry »
Tags: Amitabh Bachchan, Deewar film review, Deewar [1975], Deewar [1975] film review, Gulshan Rai, I am in love with a stranger, Iftekhar, Javed Akhtar, keh doo tumhe ya chhup rahoon, koi mar jaaye kisipe kahan yeh dekha hai, Maa, Madan Puri, maine tujhe maanga tujhe paaya hai, Manmohan Krishna, Master Alankar, Master Raju, Mother's day, Neetu Singh, Nirupa Roy, Pancham, Parveen Babi, R. D. Burman, Sahir Ludhianvi, Salim Khan, Shashi Kapoor, Stayendra Kapoo, Sudhir, Wall, Yash Chopra, Yunus Parvez
My ten favourite men-in-drag songs
Men in drag has me always in splits. It is one thing, which guarantees a laughter from my side. I know it doesn’t show much of a depth for my character. Yeah, how to put it much better than: I am like that only!
Men wearing women’s clothes is nothing new. In the early films of the Indian film industry boys would often take up female roles. Men in drag is all the same a more ancient phenomenon. The reasons behind it can be different ranging from transvestism to transgenderism. I can imagine that during times or in societies when and where homosexuality was looked down upon, it was one of the ways for men to approach men. For heterosexual men, I can think, it is a means to make fun of women and in this way digest the rejection by them. At the same time it can also be seen as a rebellion against the society and attempt to break away from the roles imposed by the society based on gender. All the same, it is not these deeper thoughts that go through my mind, why I love these songs.
Here are my favourite 10 songs from Hindi films with men in drag. Since it all is supposed to be fun, no rules this time, except for the quite obvious ones like one song pro actor. 😉
Read the rest of this entry »
Tags: Aake Sidhi Lagi Jaise, Anand Bakshi, Asha Bhosle, Babita, Bindu, Biswajeet, Bluff Master [1963], Bombay Se Baroda Tak, Dara Singh, Dharmendra, Five Rifles, Gulshan Bawra, Half Ticket [1962], Haseena Maan Jayegi [1968], homosexuality, I. S. Johar, Johar Mahmood In Hong Kong [1971], Kaatilon ke Kaatil [1981], Kajra Mohabbat Wala, Kalyanji-Anandji, Kalyanji-Anandji. Qamal Jalalabadi, Kamal Barot, Kishore Kumar, Kismat [1969], Laxmikant-Pyarelal, Lootera [1965], Malmal Me Badan Mora Chamke, Mehmood, Mohd. Rafi, My ten favourite men-in-drag songs, Nathaniya Hale To Bada Maza, Neetu Singh, O. P. Nayyar, Oy Chali Chali Kaisi Hawa, Paintal, Parde Ke Peechhey [1971], Patli Kamar Nazuk Umar, Pran, Rafoo Chakkar [1975], Rajinder Krishan, Rishi Kapoor, Saira Banu, Salil Chowdhury, Sar-E-Bazar Karenge Pyar, Shailendra, Shammi Kapoor, Shamshad Begum, Shankar Dada, Shankar-Jaikishan, Shashi Kapoor, Suno Suno, Teen Kuwareeyan... Hathon Me Mehndi, transgenderism, transvestism, Usha Mangeshkar, Vinod Mehra, Yogeeta Bali, Zeenat Aman
Harveypam's Blog 