My ten favourite Dharmendra songs
Dharmendra had his birthday on 8th December, but unfortunately it was shadowed by Dev Anand’s demise. Happy belated Birthday, Dharmendra!
So much has been written about Dharmendra’s good looks. What shall I add to it? When I think of his fine appearance, the song that comes to my mind is:
chaand aahen bharega (the moon will sigh)
phool dil tham lenge (the flowers will clasp their hearts)
husn ki baat chali to (when the talk is of good looks)
sab tera naam lenge (your name will be mentioned)
What I find enchanting about him is his dazzling smile. When he smiles it has an assurance of ‘everything will be fine’ and one just melts away. He was not only good looks; he also made some splendid movies, till he went into the kutte-kaminey mode.
Choosing songs from his films was not easy, since many good songs by Mohd. Rafi have picturised on him. So to make things easier for me I had to put in some rules
a) One song pro film
b) Only solo songs
c) Songs to which he lip syncs, i.e. no background songs,that is why pal pal dil ke paas from Blackmail  is conspicuous by its absence.
After the correction by Samir, I’ll put another clause:
d) Songs, where he is not “in Rakhee’s imagination, or just floating around”, that is why pal pal dil ke paas from Blackmail  is conspicuous by its absence. 😉
Ten favourite Dharmendra songs is not a very original post. Sunehriyaadein and Greta have also done a similar post some time ago. Here is my take on it. So, here we go…
Tag Archives: Hemant Kumar
My ten favourite Dharmendra songs
The Lost Flood
Everytime when one talks of Guru Dutt, one remembers his classics like Pyaasa, Kaagaz ke Phool, Sahib Bibi aur Ghulam and Chaudvin ka Chand. Then in further conversation one talks of Mr. & Mrs. 55, Aar-Paar and Baazi. One even remembers Jaal and Baaz. But Sailaab is one movie of his, which is mentioned only in few biographies. Nasreen Munni Kabir’s famous documentary on Guru Dutt also fails to mention it and jumps from Mr. & Mrs. 55 to Pyaasa. Abrar Alvi also doesn’t refer to it in Sathya Saran’s book “Ten Years With Guru Dutt – Abrar Alvi’s journey”. It is listed there at the end in Guru Dutt’s filmography, where only the film title, year of release and the main cast is mentioned. As you might have observed, I was also oblivious of its existence, while I did the Guru Dutt Series on my blog. Not totally oblivious, I just thought that it was a shelved project like Gauri.
Read the rest of this entry »
My ten favourite songs on not wanting to let go.
As I was humming abhi na jao chhodkar few days back, I realised that, not wanting to let the lover go is an oft-repeated motif in Hindi film songs. Well, from this thought to the thought of making list was a short hop.
Letting go, is a difficult task in life and not only the lover but also many other things in life. So here is to the process of relinquishing and surrender!
Fruits! Delicious, luscious fruits! One would say everybody loves fruits. They are nutritious, taste good and are attractive for the eye. Well, they have to be, after all the plant wants it’s children to travel far and wide. Why then this step-motherly treatment to these fabulous creations of nature in Hindi film songs?
Fruits were and are associated with lust. Offering of the apple by Eve to Adam is often cited as an example of this partnership in sin. The Indian censors were very strict about this and only let small and insignificant fruits be sung about in the film songs. As you must have noticed in my post Fruit cake, even if they allowed some fruits to slip through, they saw to it that they had the ugliest melodies possible or it is was done indirectly like ambua ki dali (a mango branch) or beri ke neeche (below the jujube tree). Not the fruits themselves but the tree was in the focal point. Lots of lyricists still wrote lyrics mentioning the fruits of their taste or which suited the scene and occasion. All these attempts were brutally suppressed and the words changed beyond recognition.
During my stay in India in July, in London in August and the last week’s stay in the Black Forest, I could meet witnesses and activists in exile. They told me stories of suppression and oppression of artists and poets of the Bombay film industry by the censors. They told me stories of how works of art where mutilated on the grounds of decency and morality.
I can only write about ten such songs. After reading this article, you, my dear intelligent readers will surely see through many other songs, which we sing every day and have been racking our brains why a certain word doesn’t quite fit in.
Read the rest of this entry »
My 10 favourite ‘maanjhi’ songs from Hindi cinema
To say that I love the maanjhi songs would be an understatement. Particularly “O re maanjhi” from Bandini takes me to a different dimension. Maanjhi (also pronounced as maajhi) is a boatman. In songs and poems they are often pleaded to by lovers (mostly women) to take them across the river to meet their beloved. In devotional songs he is the spiritual master who is being begged by the seeker to give him/her that shift in consciousness, which will take him/her from the body consciousness to brahman. These two different levels give the songs a certain spin.
So here are my favourite 10 ‘maanjhi’ (in chronological order) songs from Hindi cinema. Read the rest of this entry »
Sahib Bibi aur Ghulam has so many facets to it. that one can hardly cover it up with one posting. Moreover, there are so many thoughts and ideas, which come into the mind while watching it, but I just couldn’t find words for it. I think one can surely write a doctoral thesis on it. I could leave mine and start with this one! 😉
It is nearly three days since I saw Sahib Bibi aur Ghulam and I just don’t know how to start with the description. The story has so many layers, so many details. The whole picturisation is a revelation. In every angle there is something to be discovered. And I wanted and want to include everything, which is impossible. And of course I have to follow my day job as well. Thus, I’ve planned to go the Pyaasa way. I’ll post the synopsis and something about this and that. And then will arrive the Musings on… part. By the way a wonderful synopsis of the film has written by dear dustedoff, who is so much better with the language and has an art of expressing herself. She and this film are by the way also responsible for this blog. Richard has written in his expressive explosive manner on his reaction to the film. The Third Man at Upperstall gives many insights into the film and the big fan of Guru Dutt Philip Lutgendorf at his wonderful site has also written about this film.