The Sister Act

My ten favourite Asha-Lata duets

Happy Women’s Day! Today on the occasion of Women’s day, I would like to focus on two ladies, who have influenced Indian cinema in a way, which hardly anybody has done till now. The two ladies in question are Lata Mangeshkar and Asha Bhosle.

(by Gautam Rajadhyaksha, from: http://forbesindia.com/slideshow-big/recliner/gautam-rajadhyaksha-the-pharaoh-of-faces/28732/1)
Lata Mangeshkar and Asha Bhosle dominated the female playback singing in the Hindi film industry from the 50s to the 80s. Their art and artistry still influences the singing of the female singers in India. Each of them has allegedly sung more than 4000 songs, but it is said that they recorded only 75 songs (duets, trios, and quartets) together in Hindi films. Their first duet was recorded for the film Daman [1951] under the baton of K. Dutta and the song was ye ruki ruki hawaiyen.

(from: http://withfriendship.com/user/neeraj/Asha_Bhosle.php)
While Lata has that virginal, untouched, sweet voice, there is this dark, seductive tone of Asha’s. For me Lata’s voice is like a thandi hawa, which refreshes and cools, while Asha’s voice is one which though it might be outwardly calm brings a whirlwind bringing all my feelings and emotions in a chaos. What really strikes me about Asha’s voice is her phenomenal width. She seems to go from one octave to the other like a lift and bridge it with a effortlessness, which takes my breath away. Both of them have a phenomenal technique, which has assured them a long career.
Making a 10 favourite list for Lata or Asha is a futile task. I won’t even attempt it, thus I have taken an easier way out and listed my ten favourite Asha-Lata duets. In the duets their rivalry or let us say healthy competition can be seen in how the lines of the song are divided among them. It is also interesting to note that if the duet was between the leading lady and her friend, then Lata always gave playback to the heroine and Asha got to sing for the sakhi.
I will stop analysing and present my ten favs. Hope you like and enjoy them.

 

O re maanjhii…

My 10 favourite ‘maanjhi’ songs from Hindi cinema

To say that I love the maanjhi songs would be an understatement. Particularly “O re maanjhi” from Bandini takes me to a different dimension. Maanjhi (also pronounced as maajhi) is a boatman. In songs and poems they are often pleaded to by lovers (mostly women) to take them across the river to meet their beloved. In devotional songs he is the spiritual master who is being begged by the seeker to give him/her that shift in consciousness, which will take him/her from the body consciousness to brahman. These two different levels give the songs a certain spin.

So here are my favourite 10 ‘maanjhi’ (in chronological order) songs from Hindi cinema.